Astro Beer Hall, the newest partnership concept between Tin Shop and Astro Doughnuts & Fried Chicken, is partnering with dance party fitness class, 305 Fitness, for a brunch pop-up on Leap Day. Hosted on the mezzanine level of Astro Beer Hall, the morning starts off with 305 Fitness’ signature 55-minute cardio dance party class, led by one of the studio’s most popular instructor’s, Byron Smith. The pop-up class will feature aerobic choreography moves set to high-energy dance tunes from a curated playlist. Following the class, guests can enjoy items from Astro Beer Hall’s recently launched weekend brunch menu including bottomless coffee, a mimosa, and of course, hot cake doughnuts. Hosted on Saturday, February 29 at 10:00 a.m., tickets to the event are $20 and can be purchased here. Each ticket includes:
- The 55-minute 305 Fitness class
- 1 brunch entrée, choice of:
- French Toast Doughnuts OR
- Bacon/Sausage Egg and Cheese on a Biscuit and a side of Tater Tots OR
- Fried Chicken Breakfast Sandwich on a Doughnut Bun with honey butter and hot sauce and a side of Tater Tots
- 1 Mimosa OR Bottomless La Colombe Coffee
- Dessert: two made-to-order hot cake doughnuts: cinnamon sugar and vanilla glaze
Astro Beer Hall is located at 1306 G St. NW DC. For more info visit www.astrobeerhall.com and follow on social media at @astrobeerhall. For more info on 305 Fitness visit https://305fitness.com/.
Multimedia play: Hear Me Say My Name
Saturdays: Feb. 15, 22, and 29, 11:30 a.m. and 1 p.m.
Rasmuson Theater
“I am not your mascot, and I don’t live in a tipi. See me for who I am, hear me say my name.” How do stereotypes of American Indians, prejudice, and identity shape the discussion of what it means to be a young person in our country today? This original multimedia play, created in collaboration with Smithsonian Associates Discovery Theater, tackles America’s assumptions about American Indians and starts a conversation with audiences reclaiming rich history, challenges, hopes, and dreams. After the play, the audience is invited to explore the museum’s Americans exhibition to learn more.
This program is generously supported by the Rasmuson Foundation. Free; first-come, first-served seating. No registration is required.
THAT ’70S PARTY
WITH SUPERFLYDISCO
Saturday, February 29, 2020
8PM
Tickets: $22
For one night only, AMP transforms into Studio 54. Surrounded by disco balls and glitter, Superflydisco is the modern-day love child of Sly & The Family Stone, Rick James, and The Bee Gees. These top players know ’70s music better than anyone, having shared the stage with such legends as Prince, Earth, Wind & Fire, Rick James, Whitney Houston, Gloria Gaynor, and many more. Feel free to dress the part in your finest polyester suit, bell bottoms, and platform shoes to boogie the night away.
When: How Soon is Saturday, February 29th
Where: St. Yves Club, 1220 Connecticut Avenue NW, Washington DC 20036
Time: 8PM – 12midnight
What: ‘80s dance tunes and their original radio star killer videos
Who: ForestPlanet, Inc. a 501c3 organization supporting high-volume reforestation projects around the world
Also Who: DJ Neal Keller, producer of the DMV’s own ‘80s Dance Party for over 25 years
How Much: $33 advance registration, $43 at the door (if available)
Features: Snacks, munchies, and sodas included, full cash bar available
Dirty Habit is collaborating with The Macallan to host an exciting, premium steak and scotch experience in the heart of Penn Quarter. Upon arrival to Dirty Habit, guests will be ushered to a welcome reception in a private room by an ambassador from The Macallan, where a handcrafted Macallan scotch whisky cocktail will greet them. A selection of luxe passed canapés and original cocktails will precede the immersive dinner experience. Executive Chef Kyoo Eom will serve an impressive five-course steak dinner, featuring certified Japanese A5 Wagyu beautifully prepared in dynamic and unique cooking styles. Each course has been designed to pair with tastings from The Macallan collection, including limited edition scotches and those from rare casks. Chef Kyoo will take guests through a sensory journey pairing each of his wagyu dishes with dynamic and storied pours. Following dinner, Dirty Habit will offer guests the option of enjoying a select cigar to close the evening relaxing by one of the urban courtyard patio fire pits. At departure, each guest will receive a special parting gift from The Macallan to remember the evening.
WHEN:
6:30 p.m. – 9:00 p.m. EST
WHERE: Dirty Habit
ADMISSION: $275 per person. Guests must be 21+ to attend and RSVP on Eventbrite.
Wikipedia Edit-a-thon: Women Artists of Latin America
Saturday, March 14, 10 a.m.–3 p.m.
NMWA hosts its 7th annual Art+Feminism edit-a-
Dance Performance: The Mush Hole: Truth, Acknowledgement, Resilience
Kaha:wi Dance Theatre
Santee Smith, Artistic Director
Saturday, March 14, 2 p.m.
Rasmuson Theater
The Mush Hole is a heartbreaking dance theater piece that moves through Canada’s residential school history with hope and empathy. The performance by Kaha:wi Dance Theatre, created, directed, produced by Santee Smith, reflects the realities of the Mohawk Institute Residential School experience and offers a compelling way to open dialogue and to heal. Created in collaboration with Mohawk Institute Residential School survivors and including school documentation in recounting its history, The Mush Hole is about survival and intergenerational resilience.
The Mohawk Institute, also known as the Mush Hole, is Canada’s oldest residential school, after which all other residential schools were modeled. Operating in Brantford, Ontario, from 1828 to 1970, the Mohawk Institute served as a boarding school for First Nations children from Six Nations and other communities in Ontario and Quebec. It was a key tool in the effort to assimilate First Nations children into European Christian society and sever the continuity of First Nations culture from parent to child, leaving a legacy of trauma.
Through Her Eyes: Celebrating Indigenous Women of the Andes
Saturday, March 21, 10 a.m.–5 p.m.
Potomac Atrium
A special Women’s History Month program, Through Her Eyes celebrates the stories, experiences and perspectives of Andean Indigenous women. Cultural and content experts will lead a series of performances, demonstrations and activities offering visitors a window into the rich traditions and contemporary life of women in these Indigenous communities.
Julia Garcia (Quechua) will demonstrate how to dress a fashionable llama. Did you know that colorful ear tassels are a clue to a llama’s ownership and that bells can help you find your llama in the dark? Visitors can learn how to make ear tassels and neck adornments fit for a llama. Isabel Hawkins will share stories woven into Andean textiles, including the cardinal direction markers, constellations and equinox symbols that make up the patterns of some Andean textiles. Zuly Jimenez (Quechua) will use potatoes to create figures for a retablo (a small scene represented in a box frame).
The museum’s Collections Conservation staff will share their expertise on the care of weavings. Kathleen Martin, Andrew W. Mellon Fellow in Textile Conservation, will discuss her research, show samples and demonstrate the indigo dye process. Conservator Susan Heald will lead a hands-on demonstration with cochineal and show how the color can be shifted from orange to red to purple, and conservator Emily Kaplan will share the history of ceremonial drinking cups called qeros.
Maryta de Humahuaca in Concert
Saturday, March 21, 3 p.m.
Rasmuson Theater
Maryta de Humahuaca (Kolla) is an Indigenous performing artist from the small city of Humahuaca in the province of Jujuy, Argentina. Her music is a fusion of contemporary and traditional Andean music. This program is presented in collaboration with the Embassy of the Argentine Republic.
Photographer’s Talk: Developing Stories: Native Photographers in the Field
Tuesday, March 24, 3:30 p.m.
Sealaska Gallery
Museum visitors are invited to join photographer Russel Daniels and curator Cécile Ganteaume in a conversation and gallery tour highlighting Daniels’s “Genízario Pueblo de Abiquiú,” the first of three photo essays in the exhibition series “Developing Stories: Native Photographers in the Field.” Daniels’s photographs and text explore northern New Mexico’s Genízario community, a people whose historic experience of violence, slavery, and resilience shapes their sense of self to this day.
