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| NEWS from the LIBRARY of CONGRESS |
| March 23, 2017
Press contact: Bryonna Head, Office of Communications (202) 707-3073, bhea@loc.gov
Library to Host Series of Disco Events Line-up includes Gloria Gaynor, Tim Gunn
The Library of Congress is presenting a series of disco-themed events to celebrate and memorialize the era of the mid-1970s and early 1980s that changed American art, fashion, language and sound. “Bibliodiscotheque” will include two months of programs such as film screenings, lectures and a symposium followed by a disco party featuring Gloria Gaynor. “The disco era has left a lasting mark on our culture,” said Librarian of Congress Carla Hayden. “The music, the clothes, those fantastic disco balls – they are a part of Americana that new generations are still discovering and embracing. I am so thrilled to announce these events and the incredible line-up of guests we will have at the Library in the coming months as we celebrate the era of disco and share related items from the Library’s collections.” Nearly 40 years have passed since the heyday of platform shoes and dazzling disco balls, but disco is recognized as a phenomenon that redefined cultural norms across the United States. “Lest anyone think that disco was an aberrant moment in the ’70’s. Disco culture is inextricable from the history of 20th century fashion,” said Emmy award-winning fashion icon, Tim Gunn. “Its representation in the Library of Congress not only legitimizes the genre, but fully validates it.” The Library of Congress holds significant collection materials in various formats that showcase the American disco experience. These items will be on display for the duration of this series. Programming includes screenings of disco-influenced films as well as lectures and panel discussions presented by cultural experts, such as author, producer and fashion icon Tim Gunn, who will present a lecture on the influence of disco fashion followed by a book signing. The series will conclude with a symposium featuring the disco singing sensation Gloria Gaynor, followed by an evening extravaganza with a live performance. Gaynor will discuss and sign her new book, “We Will Survive: True Stories of Encouragement, Inspiration, and the Power of Song.” The book’s title harkens back to her 1978 classic “I Will Survive” which was selected for preservation in 2016 for the National Recording Registry. In “We Will Survive,” Gaynor shares 40 inspirational, true stories about survivors of all kinds — individuals who have found comfort, hope, and courage through the power of that song. “I am thrilled that the Library of Congress has found my role in American music worthy to be commemorated by the inclusion of my recording of “I Will Survive” in the National Recording Registry,” said Gaynor. “I look forward with great anticipation to my concert at the Library of Congress “Bibliodiscotheque.” Events are free and open to the public. Free tickets are required for admission to all activities. Tickets will be available beginning at 10:00 a.m. on March 30at this website. A limited number of press credentials will also be available for reservation. The deadline to reserve credentials for lectures, the symposium, and the dance party is Friday, April 28. Some of the events will be live-streamed on the Library’s Facebook page at facebook.com/libraryofcongress and its YouTube channel at youtube.com/LibraryOfCongress. All programs will take place at the Library’s Thomas Jefferson Building, 10 First St. S.E., or at its James Madison Memorial Building, 101 Independence Ave. S.E., both in Washington, D.C. The excitement can be followed on Twitter at @librarycongress and #LCDisco.
The Library’s programming will include: Symposium*
Saturday, May 6 Presented in association with the Library of Congress Music and Prints & Photographs Divisions, and Veterans History Project, with additional support from The Recording Academy.
1 p.m. “The Craft of Making Disco Balls”
1:30 p.m. “Two Perspectives on Beyoncé’s African Dance References”
2 p.m. “Disco: The Bill Bernstein Photographs”
2:30 p.m. “Hot Stuff: Disco and the Remaking of American Culture”
3 p.m. Panel Discussion
4 p.m. “Gloria Gaynor on “I Will Survive”
5 p.m. (Whittall Pavilion) Free, tickets available, visit www.loc.gov/concerts/disco for more information. |
Four seasons become eight when the National Chamber Ensemble presents The Four Seasons of Vivaldi and Piazzolla on Saturday, March 25 at 7:30 p.m. at Rosslyn Spectrum. Arlington County Board Chair Jay Fisette is the special guest host for the evening.
General admission tickets are $33 for adults and $17 for students, plus applicable service charges. Tickets are available online at www.nationalchamberensemble.org and at the box office one hour prior to the performance. Group discounts for 10 or more are available by calling (703) 685-7590. For more information, call (703) 685-7590 or visitwww.nationalchamberensemble.org. The theater has free garage parking and is two blocks from the Rosslyn Metro. A wine and cheese reception with the artists follows the concert.
Inspired by landscape paintings by Italian artist Marco Ricci, “The Four Seasons” is one of Antonio Vivaldi’s most famous works. Composed during the Baroque period and published in 1725, each concerto is accompanied by sonnets, written, as most believe, by Vivaldi himself. The sonnets provide a narrative for the music, offering a more complete picture of each season as the composition weaves its way through spring, summer, fall, and winter.
The performance of Vivaldi’s “The Four Seasons” will include a reading of the sonnets by Mr. Fisette, as well as a multimedia presentation accompanying the performance that includes photos, moving images, and Vivaldi’s own words that he wrote into the music. The Ensemble’s Artistic Director Leonid Sushansky, called “a musical storyteller” by The Washington Post, will perform the violin solos with a sextet that includes two violins, viola, cello, double bass, and harpsichord.
In contrast, Astor Piazzolla’s “Las Quatro Estaciones Porteñas (The Four Seasons of Buenos Aires)” is inspired by the rhythms of the Argentinian tango. Once of Argentina’s greatest cultural exports, Piazzolla fused jazz and tango with classical forms and 20th century harmonies, creating the musical genre of nuevo tango.
Conceived as four discrete pieces, and written nearly 240 years after Vivaldi’s work of the (almost) same name, “The Four Seasons of Buenos Aires” begins with summer and concludes with spring. Originally scored for Piazzolla’s Quinteto of violin, piano, electric guitar, double bass, and bandoneón (a type of concertina), the Ensemble will perform the composition as a trio featuring Natasha Dukan on piano, Sean Neidlinger on cello, and Leonid Sushansky on violin. Images of Buenos Aires throughout the seasons accompany the musical performance.
The 2016-17 NCE season concludes on May 13 with Music of Our Time, celebrating classical music from film and theater, and an appearance by Bowen McCauley Dance.
About Rosslyn Spectrum Theatre
Located at 1611 N. Kent Street, Arlington VA
Parking: Free garage parking, entrance on Arlington Ridge Road
Metro: Blue/Orange/Silver – Rosslyn Station
As the world grapples with the most severe global refugee crisis since World War II, musicians convened by conductors John Devlin and Lidiya Yankovskaya, herself a refugee who found asylum in the United States, are coming together to provide a voice to refugees in the country.
At 7:30 p.m. on Monday, April 10, Yankovskaya and instrumentalists whose friends and families have fled to the U.S. to escape violence and persecution will perform a special concert for residents in the nation’s capital and surrounding areas. The performance will take place in The Fillmore Silver Spring and will feature a full symphony orchestra and soloists—including award-winning soprano Zhanna Alkhazova—performing works by refugee composers, such as Iranian composer Gity Razaz, Béla Bartók, and Irving Berlin, as well as music that involves refugee themes written by Verdi and Puccini, among others. The concert will showcase, through music, the positive impact that those who have come to this country seeking safety and a better life have had on American culture and society. It is one of three fundraising events that the Refugee Orchestra Project is organizing this spring.
“I organized the Refugee Orchestra Project as a way to demonstrate, through music, the critical role that these individuals play in our cultural landscape,” said Refugee Orchestra Project Conductor and Artistic Director Lidiya Yankovskaya. “In light of the negative rhetoric we regularly read and hear in the news today, I felt it important for all of us to once again be reminded of the essential role that refugees play in making American culture vibrant and strong.”
Devlin and the D.C.-based Gourmet Symphony will support this endeavor by recruiting local musicians to participate in the concert, as well as food vendors who will provide product and services to encourage donations for the cause.
“Gourmet Symphony was thrilled when the Refugee Orchestra Project representatives reached out to us about a possible collaboration around this worthy cause,” said John Devlin, co-founder and Artistic Director of Gourmet Symphony. “As artistic leaders in the nation’s capital, we feel that it is our responsibility to play an active role in our community and in matters of national importance. The concert will also allow us to engage culinary partners who are passionate about this cause. Our common goal is to offer a sense of connectedness and hope through the music and fellowship shared in this performance.”
Admission to the concert is free, donations are suggested. Guests who make a donation of at least $50 will receive premium seating and a gourmet gift box including snack bites from Gourmet Symphony’s culinary partners at Beuchert’s Saloon and Mike Isabella Concepts, among others—this will be capped at 100. Proceeds from donations will go toward the International Rescue Committee (IRC) and Hebrew Immigrant Aid Society (HIAS), the global Jewish nonprofit that protects refugees in support of those seeking asylum in the U.S. and abroad.
As much as Jonathan Larsen’s unprecedented Pulitzer Prize-winning musical Rent impacted popular culture, it also transformed the lives of the actors that embodied a group of young friends trying to forge a life for themselves in New York’s bohemian East Village. 20 years after Rent’s Broadway debut, original cast members Adam Pascal & Anthony Rapp reunite at the Music Center at Strathmore on Friday, April 28, 2017 at 8 p.m. to commemorate this cultural touchstone and 20 years of friendship. The concert of duets and solos will include originals, reimagined Broadway classics, and favorites from Rent. For more information or to purchase tickets, call (301) 581-5100 or visit www.strathmore.org.
Throughout the set, the duo will share stories about their careers, including what it was like working on one of the longest running musicals in Broadway history. Rent has proved a thread throughout their careers that has periodically brought the two back together—prior to the 20thanniversary concert tour, both reprised their Rent roles during the national tour in 2009.
Tony-nominated Adam Pascal recently returned to Broadway’s Nederlander Theater, where Rent lived for years, in the new musical Disaster! Since his days playing Roger in Rent, Pascal has starred in Aida, Chicago, and Memphis. He is currently playing Shakespeare in the national tour of Something Rotten!
After originating the role of Mark in Rent, Anthony Rapp went on to originate another character in If/Then alongside previous Rent co-star Idina Menzel, which debuted at Washington, D.C.’s National Theatre. He wrote the book Without You: A Memoir of Love, Loss, and the Musical Rent, about the demands of life in the theater during his mother’s battle with cancer, which he later adapted into a one-man show. It was recently announced that Rapp will star as “astromycologist” Lt. Stamets in Star Trek: Discovery for CBS All Access, the first series developed specifically for this platform and the first Star Trek series since Star Trek: Enterprise (2005). Stamets is also the first openly gay character conceived for the Star Trek franchise.
PAUL D. MILLER aka DJ SPOOKY: REBIRTH OF A NATION
Tuesday, May 23, 2017, 8 p.m.
By Paul D. Miller aka DJ Spooky
Featuring Sound Impact
Eisenhower Theater–from $19
Conceived as a reimagining of director D.W. Griffith’s infamously racist 1915 silent film, The Birth of a Nation, DJ Spooky’s Rebirth of a Nation is a culturally significant project that examines how “…exploitation and political corruption still haunt the world to this day, but in radically different forms.” Today, more than a century since the release of The Birth of a Nation, the project continues to be presented internationally, engaging audiences in themes of civil rights and freedom, seen through the lens of DJ Spooky’s unique art of remixing. Dr. King once said that “the arc of the moral universe is long, but it bends toward justice”—one of the drivers behind Miller’s work is influenced by this. “I try to give people thought tools for mindfulness, or for thinking about the patterns we inhabit as not fixed of locked down, but changeable. It’s the beauty of that, which makes life worth living.” The Kennedy Center debut of Rebirth of a Nation is a multimedia performance featuring a string quartet from D.C.-based music ensemble Sound Impact. Two violins, a viola, and a cello will accompany three screen video projections, controlled live on stage by DJ Spooky.
NATIONAL SYMPHONY ORCHESTRA CONCERT HONORING JOHN F. KENNEDY
Wednesday, May 24, 2017, 8 p.m.
National Symphony Orchestra
Joshua Weilerstein, conductor
Yo-Yo Ma, cello
Sasha Cooke, mezzo-soprano
Concert Hall–from $79
Program:
Copland: Fanfare for the Common Man
William Grant Still: Poem for Orchestra
Mason Bates: Passage
John Williams: Cello Concerto
Bernstein: Three Dance Episodes from On The Town
This performance features Kennedy Center Artistic Advisor at Large Yo-Yo Ma and is led by young American conductor Joshua Weilerstein in his Kennedy Center debut.
The National Symphony Orchestra performs the world premiere of Mason Bates’s Passage, an NSO commission created especially for JFK’s 100th. Passage examines the theme of American exploration through the visionary words of Walt Whitman and President John F. Kennedy. Composed for renowned mezzo-soprano Sasha Cooke and the NSO, the work imaginatively sets Whitman’s “Passage to India” alongside recorded fragments of JFK’s moonshot speech given in 1961. Two iconic American voices—that of poet and President—come together on a journey to the ever-expanding human frontier.
HUBBLE CANTATA
Thursday, May 25, 2017, 7:30 p.m.
Paola Prestini, composer
Royce Vavrek, librettist
Concert Hall–from $15
The Hubble Cantata, brought to life by Metropolitan opera star Nathan Gunn (with soprano to be announced), music director Julian Wachner, a 20-piece instrumental ensemble, and a 100-person choir from The Washington Chorus, is an unprecedented live experience. The program pushes the boundaries of art and science as it takes audiences on a journey of wonder and exploration, seeking parallels between human life on Earth and the stars in the heavens. Framed by the birth, life, and death of a star—and connected to a narrative of a couple experiencing loss—the hour-long, space-inspired cantata features a cutting-edge virtual reality film (Fistful of Stars) by Eliza McNitt, music by composer Paola Prestini, and libretto by Royce Vavrek. Through his narration, New York Times best-selling author and eminent astrophysicist Dr. Mario Livio explains the larger celestial implications at stake, placing the characters’ story within the grand scheme of the cosmos.
In a final gesture, this family-friendly performance incorporates virtual reality cardboard headsets, simulating an immersive voyage through the universe, expertly created by The Endless Collective, a leading VR FX firm, with a 360-degree soundscape developed by Arup, the global leaders in acoustic and sound design. This mesmerizing live experience, co-produced by VisionIntoArt/National Sawdust, Beth Morrison Projects and Arup, reflects Livio’s poignant themes and the powerful realization that humans discovered, explore, and continue to expand the understanding of the universe, and man’s place in it.
Between a film premiere and a West End debut, there’s Strathmore. Unparalleled in her breadth and versatility, Audra McDonald brings the music that has shaped her career to the Music Center at Strathmore on Friday, May 26, 2017 at 8 p.m. The concert follows the premiere of her latest film, a live action remake of Disney’s Beauty and the Beast, and just before her West End debut in Lady Day at Emerson’s Bar & Grill. An icon of Broadway, McDonald is the winner of a record-breaking six Tony Awards, two Grammy Awards, and an Emmy Award. For more information or to purchase tickets, call (301) 581-5100 or visit www.strathmore.org.
Tickets to this show go on sale to the general public on Friday, March 10, 2017 at 10 a.m.
In addition to her Tony-winning performances in Carousel, Master Class, Ragtime, A Raisin in the Sun, The Gershwins’ Porgy and Bess, and Lady Day at Emerson’s Bar & Grill, she has appeared on Broadway in The Secret Garden, Marie Christine (Tony nomination), Henry IV, 110 in the Shade (Tony nomination), and Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed. The Juilliard-trained soprano’s opera credits include La voix humaine and Send at Houston Grand Opera, and Rise and Fall of the City of Mahagonny at Los Angeles Opera.
On television, she was seen by millions as the Mother Abbess in NBC’s The Sound of Music Live! and played Dr. Naomi Bennett on ABC’s Private Practice. She won an Emmy Award for her role as host of PBS’s Live from Lincoln Center and has received nominations for Wit, A Raisin in the Sun, and Lady Day at Emerson’s Bar & Grill.
On film, she has appeared in Seven Servants, The Object of My Affection, Cradle Will Rock, It Runs in the Family, The Best Thief in the World, She Got Problems, Rampart, and Ricky and the Flash. She plays the Garderobe in the 2017 live-action remake of Disney’s classic Beauty and the Beast.
An exclusive recording artist for Nonesuch Records, she has released five solo albums for the label. McDonald also maintains a major career as a concert artist, regularly appearing on the great stages of the world and with leading international orchestras.
She was named one of Time’s 100 most influential people of 2015 and received a 2015 National Medal of Arts, America’s highest honor for achievement in the arts, from President Barack Obama.
Of all her many roles, her favorites are the ones performed offstage—passionate advocate for equal rights and homeless youth, wife to actor Will Swenson, and mother to her children.
About Strathmore
Strathmore presents and produces exemplary visual and performing arts programs for diverse audiences; creates dynamic arts education experiences; and nurtures creative ideas and conversations that advance the future of the arts. The organization’s hallmark is the Music Center at Strathmore, with a 1,976-seat concert hall and education complex. Its core campus also includes the historic Mansion at Strathmore, which features an intimate Music Room and art galleries. Most recently, Strathmore opened AMP, a 250-seat cabaret-style venue located just up Rockville Pike from the core campus in the burgeoning Pike District of Montgomery County. Strathmore’s signature education, mission-driven programs include the Strathmore Student Concerts and the Artist in Residence program.
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Strathmore is supported by a grant from the Maryland State Arts Council, an agency dedicated to cultivating a vibrant cultural community where the arts thrive. An agency of the Department of Business & Economic Development, MSAC provides financial support and technical assistance to non-profit organizations, units of government, colleges and universities for arts activities.
Strathmore is also supported in part by the Arts and Humanities Council of Montgomery County.
Strathmore Presents
Audra McDonald
Friday, May 26, 2017
8 p.m.
Tickets $45-$105
Music Center at Strathmore
5301 Tuckerman Lane
North Bethesda, MD 20852
KENNEDY CENTER OPEN HOUSE: CELEBRATING JFK AT 100
Saturday, May 27, 2017, 12 p.m.–10 p.m.
With world premiere commission and activities for all
Campus-wide–FREE
In celebration of John F. Kennedy’s 100th birthday, the Kennedy Center will host an Open House. This free event welcomes the public to explore and experience the performing arts through the halls, theaters, and plazas of the Kennedy Center through more than 30 free performances, activities and events for all ages and tastes. The arts program will feature artists from across the U.S., the Washington, D.C. region, and abroad.
Highlights include:
- Bandaloop, the pioneers of vertical dance, will present multiple performances suspended from the roof of the Kennedy Center throughout the day.
- Company E, a D.C-based contemporary dance company, will perform a Kennedy Center JFK Centennial-commissioned work and world premiere, (In) Security or Jack and Nikki Do the Cold War Tango, in the Grand Foyer using both Millennium Stages simultaneously to explore the John F Kennedy/ Nikita Khrushchev relationship.
- Flexn will present five different performances throughout the day in the Eisenhower Theater of flex dance which is an electrifying form of street dance evolved from Jamaican bruk-up and reggae. Each performance will be in a different format (solo, two-on-two battles, full company), and each focusing on one of the five JFK Centennial ideals as well as opening with a discussion of the works by Peter Sellars and Reggie Gray.
- Finding a Line: Skateboarding, Music, and Media will return with a skate park and music stage open and active throughout the day on the plaza.
- Citizen Artist Fellow Paige Hernandez and Baye Harrell will perform “All the Way Live!” in the Family Theater.
- The National Memorial Day Choral Festival in the Concert Hall will present patriotic repertoire which will include works that celebrate President Kennedy such as the “Star Spangled Banner,” “America the Beautiful,” “The Battle Hymn of the Republic,” “Inauguration,” and “To the Moon.”
- Local Washington Ballet will participate in Open House activities by presenting their independent commission Frontier.
All of the programming in the three largest theaters and the Grand Foyer will explore and celebrate the legacy of President Kennedy.
Peter Rowan
Wednesday, October 18th
Gypsy Sally’s
3401 K Street NW
Washington, DC 20007
Doors: 7:00 PM
Show: 8:00 PM
Tickets: $25.00, 21+
http://www.gypsysallys.com/
Grammy-award winner and five-time Grammy nominee, Peter Rowan is a bluegrass singer-songwriter with a career spanning over five decades. From his early years playing under the tutelage of bluegrass patriarch Bill Monroe, and following his stint in Old & In the Way with Jerry Garcia and subsequent breakout as both a solo performer and bandleader, Rowan has built a devoted, international fan base through his continuous stream of original recordings, collaborative projects, and constant touring.
Born in Wayland, Massachusetts to a musical family, Rowan first learned to play guitar from his uncle. He spent his teenage years absorbing the sights and sounds of the Boston music scene, playing bluegrass at the Hillbilly Ranch and discovering folk and blues across the Charles River at the legendary Club 47 on Mt. Auburn Street in Cambridge. “I could sit in with the Lilly Brothers at the Hillbilly Ranch and then catch the MTA and be in time for Joan Baez’s last set at the Club 47. Bluegrass appealed to me. It was callin’ me—the harmonies, that high and lonesome calling-sound. Don Stover had played banjo with Bill Monroe, fiddler Tex Logan too, before they joined the Lillys. Mandolinist Joe Val taught me all the Blue Sky Boys and the Louvin Brothers songs. I would play a “sock-hop” with my rockin’ group, The Cupids, and then make a beeline for the clubs. Sonny Terry and Brownie Magee, Josh White, Muddy Waters- they all came to town! ”
Following three years in college, Rowan left academia to pursue a life in music. Rowan began his professional career in 1964 as the lead singer and rhythm guitarist for Bill Monroe and The Bluegrass Boys, living in Nashville and playing with Monroe on the Grand Ol’ Opry every week. “One thing I liked about the Monroe style was that there was a lot more blues in it than other styles of bluegrass,” reflects Rowan. “It was darker. It had more of an edge to it. And yet it still had the ballad tradition in it, and I loved that.” Rowan stayed with Monroe and his Bluegrass Boys, touring constantly both in the United States and in England, for two and a half years. ” We went from old-timey places way down south to the colleges up north, we played to all ages, long-time fans of Bluegrass and the college kids my own age.”
The late ’60s and early 70’s saw Rowan collaborating with musical compatriots in a number of rock, folk and bluegrass combinations: Earth Opera with David Grisman, Sea Train with fiddler Richard Greene (himself a graduate of Monroe’s band) Muleskinner with both Grisman and Greene, former Bluegrass Boy banjoist Bill Keith and the great Clarence White. From the ashes of Muleskinner, Rowan and Grisman went on to join Jerry Garcia, Vassar Clements, and John Kahn, forming the legendary bluegrass band Old & In the Way. It was during this time that Rowan penned the song “Panama Red,” a subsequent hit for the New Riders of the Purple Sage and a classic ever since. Other time-honored compositions by Rowan include ” Moonlight Midnight“, ” In The Land of the Navajo” and “Lonesome L.A. Cowboy”. Jerry Garcia himself recorded Rowan’s “Moonlight Midnight” and the haunting “Mississippi Moon”. The 1970’s also saw Peter Rowan playing and recording alongside brothers Chris and Lorin Rowan as the The Rowan Brothers. Their three albums for Elektra-Asylum featured original songs highlighted by the three siblings soaring harmonies.
Rowan subsequently embarked on a well-received solo career in 1978, releasing such critically acclaimed records as Dustbowl Children (a Woody Guthrie style song cycle about humanity’s spirituality in relationship to the earth), Yonder (a record of old-time country songs and Rowan originals in collaboration with ace dobro player, Jerry Douglas) and two extraordinarily fine bluegrass albums, The First Whippoorwill and Bluegrass Boy, as well as High Lonesome Cowboy, a recording of traditional old-time cowboy songs with Don Edwards and guitarist Norman Blake. Rowan’s recent releases- Reggaebilly, a wonderful blend of reggae and bluegrass and Quartet, a recording with the phenomenal Tony Rice, coupled with a relentless touring schedule have further endeared Peter Rowan to audiences around the world.
On the road, Rowan performs internationally as a solo singer-songwriter, while stateside he plays in three bands: the Peter Rowan Bluegrass Band, a quartet featuring Jody Stecher, Keith Little, and Paul Knight; The Peter Rowan & Tony Rice Quartet; and his rocking band, The Free Mexican Air Force.
