Grab Your Seats: Hugh Bonneville Wallows Wonderfully in ‘Uncle Vanya’ at STC
Shakespeare Theatre Company’s Uncle Vanya, directed by Simon Godwin, has arrived at Harman Hall after a celebrated run in Berkeley. Expectations are understandably high for this adaptation of Anton Chekhov’s seminal work, transformed by Conor McPherson’s Olivier Award-winning script, and featuring actor Hugh Bonneville.
The production, which runs until April 20, 2025, is a compelling evening at the theatre, filled with a talented ensemble of actors. The story, a profound and tragic comedy about the human condition, centers around the rural estate of the disillusioned Vanya, played with poignant restraint by Hugh Bonneville. As the elderly estate manager, Vanya’s life has largely been spent in futile pursuit of a lost idealism, and Bonneville masterfully conveys his existential despair without tipping into melodrama.
Bonneville’s portrayal of Vanya is nothing short of revelatory. Known for his charming portrayal of Lord Grantham in Downton Abbey, Bonneville dives into the depths of Chekhov’s character with a rawness that surprises and delights. He brings an almost tragic levity to Vanya, whose disillusionment and frustration are palpable in every scene. Whether drunk on vodka, railing against the injustice of his life, or experiencing moments of quiet resignation, Bonneville’s Vanya is deeply human, layered with vulnerability and dark humor. His comedic timing is impeccable, but it’s his ability to tap into the character’s deep sadness that leaves the most lasting impression.
The performances from the ensemble are equally strong, notably Tony Award-winner John Benjamin Hickey, whose turn as the self-absorbed and volatile doctor Astrov adds an emotional complexity to the piece. Ito Aghayere brings an unexpected depth to Yelena, the beautiful but emotionally distant young wife whose presence stirs chaos in the quiet lives of the rural residents. Melanie Field’s (A League of Their Own) portrayal of Sonya is both touching and grounded, offering a stark contrast to the erratic energy of her fellow characters.
The design elements of the production are also praiseworthy. Robert Brill’s scenic design is understated yet evocative, with the rural estate’s interior serving as both a literal and metaphorical representation of the characters’ stagnation. The three-quarter thrust stage, which Godwin has opted for to bring the audience into the action, is particularly effective in creating an immersive atmosphere. It’s as if the audience becomes part of the very web of tension and despair woven throughout the narrative.
However, while the performances are compelling, the production’s melancholy might parallel a bit too close to life for some lately. Especially in the final act, the balance between humor and tragedy feels jarringly real.
That said, the production’s exploration of futility versus change and the messy, raw emotions of its characters — as well as the undeniable chemistry of its talented ensemble — ensures it is both heart-wrenching and genuinely moving.
Uncle Vanya runs in Shakespeare Theatre Company’s Harman Hall March 30–April 20, with tickets ranging from $35 to $225. For more information, visit here.
SPECIAL PERFORMANCES
Audio Description – Saturday, April 19 | 2pm
Open Captioning – Saturday, April 12 | 2pm / Thursday, April 17 | 7:30pm