Feb
8
Tue
Poetic Mix-Tape Virtual Reading @ Online
Feb 8 @ 7:30 PM – 8:30 PM

On Tuesday, February 8 at 7:30 pm, the O.B. Hardison Poetry Series at the Folger
Shakespeare Library in collaboration with the legendary Rock & Roll Hall of Fame and Museum,
present a poetic mix-tape in response to the Rock Hall’s exhibition It’s Been Said All Along:
Voices of Rage, Hope, and Empowerment.

Poets Patricia Spears Jones, Nate Marshall, Reuben Jackson, and Ashley M. Jones (no relation)
read their own poetry and use it to explore the rage, hope and empowerment embedded in the historic
musical legacy of such artists as Public Enemy, Nina Simone, Aretha Franklin, James Brown, and
others. The reading will artfully combine poetry and music from the exhibition.

Tickets for this virtual event are $5 – $30, with a suggested price of $15. Tickets can be purchased
at the Folger Box Office at 202.544.7077 or by visiting www.folger.edu/poetry.

About It’s Been Said All Along: Voices of Rage, Hope, and Empowerment, the Rock & Roll Hall of
Fame says, “musicians have responded in song and action to promote social justice and equality. What
the world is seeing today, as injustices are called out and protesters are finding their voices, is not new.
And neither are the musical responses – words and music and passion converging to create something
much bigger that cuts deep into the rage, gives hope and radiates empowerment.”
The reading will begin with a pop-up exhibition of rare items from the Rock & Roll Hall of Fame and
Museum and will be followed by a moderated conversation with questions from those in attendance.
This reading is co-sponsored by the Rock & Roll Hall of Fame and Museum.

Mar
24
Thu
The Epic of Gilgamesh @ George Washington University’s Theatre XX
Mar 24 @ 7:30 PM – 10:00 PM

The Academy for Classical Acting’s 2022 cohort will be presenting their Spring Devised work, The Epic of Gilgameshon March 24 and 25 at 7:30 pm at George Washington University’s Theatre XX and on March 26 and 27 at 2 pm at the National Arboretum. Devised under the direction of ACA faculty member Dody DiSantoThe Epic of Gilgamesh is based on a poem of the same name from ancient Mesopotamia. Originally inscribed on 12 clay tablets in cuneiform script, the poem recorded the life and adventures of the historical King of Uruk, Gilgamesh himself. Perhaps the oldest written story on Earth, this text is the epitome of classical and has been lovingly and painstakingly translated into a beautiful performance piece highlighting the work of ACA’s 2022 graduating class. 

Tickets for this event are free, but donations are suggested. All donations go toward The Academy’s scholarship fund.

You can reserve your tickets here. Please make sure to note which performance venue your ticket is for: George Washington University’s Theatre XX (March 26 and 27) or the National Arboretum (March 26 and 27).

Mar
25
Fri
The Epic of Gilgamesh @ George Washington University’s Theatre XX
Mar 25 @ 7:30 PM – 10:00 PM

The Academy for Classical Acting’s 2022 cohort will be presenting their Spring Devised work, The Epic of Gilgameshon March 24 and 25 at 7:30 pm at George Washington University’s Theatre XX and on March 26 and 27 at 2 pm at the National Arboretum. Devised under the direction of ACA faculty member Dody DiSantoThe Epic of Gilgamesh is based on a poem of the same name from ancient Mesopotamia. Originally inscribed on 12 clay tablets in cuneiform script, the poem recorded the life and adventures of the historical King of Uruk, Gilgamesh himself. Perhaps the oldest written story on Earth, this text is the epitome of classical and has been lovingly and painstakingly translated into a beautiful performance piece highlighting the work of ACA’s 2022 graduating class. 

Tickets for this event are free, but donations are suggested. All donations go toward The Academy’s scholarship fund.

You can reserve your tickets here. Please make sure to note which performance venue your ticket is for: George Washington University’s Theatre XX (March 26 and 27) or the National Arboretum (March 26 and 27).

Mar
26
Sat
The Epic of Gilgamesh @ National Arboretum
Mar 26 @ 2:00 PM – 4:00 PM

The Academy for Classical Acting’s 2022 cohort will be presenting their Spring Devised work, The Epic of Gilgameshon March 24 and 25 at 7:30 pm at George Washington University’s Theatre XX and on March 26 and 27 at 2 pm at the National Arboretum. Devised under the direction of ACA faculty member Dody DiSantoThe Epic of Gilgamesh is based on the poem of the same name from ancient Mesopotamia. Originally inscribed on 12 clay tablets in cuneiform script, the poem recorded the life and adventures of the historical King of Uruk, Gilgamesh himself. Perhaps the oldest written story on Earth, this text is the epitome of classical and has been lovingly and painstakingly translated into a beautiful performance piece highlighting the work of ACA’s 2022 graduating class. 

Tickets for this event are free, but donations are suggested. All donations go toward The Academy’s scholarship fund.

You can reserve your tickets here. Please make sure to note which performance venue your ticket is for: George Washington University’s Theatre XX (March 26 and 27) or the National Arboretum (March 26 and 27).

Mar
27
Sun
The Epic of Gilgamesh @ National Arboretum
Mar 27 @ 2:00 PM – 4:00 PM

The Academy for Classical Acting’s 2022 cohort will be presenting their Spring Devised work, The Epic of Gilgameshon March 24 and 25 at 7:30 pm at George Washington University’s Theatre XX and on March 26 and 27 at 2 pm at the National Arboretum. Devised under the direction of ACA faculty member Dody DiSantoThe Epic of Gilgamesh is based on the poem of the same name from ancient Mesopotamia. Originally inscribed on 12 clay tablets in cuneiform script, the poem recorded the life and adventures of the historical King of Uruk, Gilgamesh himself. Perhaps the oldest written story on Earth, this text is the epitome of classical and has been lovingly and painstakingly translated into a beautiful performance piece highlighting the work of ACA’s 2022 graduating class. 

Tickets for this event are free, but donations are suggested. All donations go toward The Academy’s scholarship fund.

You can reserve your tickets here. Please make sure to note which performance venue your ticket is for: George Washington University’s Theatre XX (March 26 and 27) or the National Arboretum (March 26 and 27).

Apr
7
Thu
Cherry Blossom Paint Class with Painted Palettes @ Painted Palettes Western Market
Apr 7 @ 5:30 PM – 7:30 PM

Cherry Blossom Paint Class with Painted Palettes – Thursday April 7th 5:30-7:30PM

  • Samantha Testa is the owner and artist behind the Brookland DC watercolor and calligraphy studio, Painted Palettes. As a former first grade teacher, Sam enjoys teaching workshops to adults, making custom watercolor house portraits for clients, making custom gifts at live events, and finding inspiration around her home city, Washington DC.
Apr
8
Fri
National Museum of Women in the Arts’ 2022 Spring Gala @ National Building Museum
Apr 8 @ 6:30 PM – 10:30 PM

National Museum of Women in the Arts’ 2022 Spring Gala
On Friday, April 8, 2022, the National Museum of Women in the Arts (NMWA) hosts its annual black-tie gala, made possible by Dior. This year’s gala will honor Dior’s first woman Creative Director Maria Grazia Chiuri, feminist artist Judy Chicago and co-CEO and President of Ariel Investments Mellody Hobson each with NMWA’s Lifetime Achievement Award.

Join gala co-chairs Ashley Davis and Marlene Malek alongside luminaries from Washington’s diplomatic, governmental and social communities. The Ambassador of France, Mr. Philippe Étienne will be our Honorary Diplomatic Chair. The event will feature a seated dinner and entertainment. This will be the first gala held since 2019. NMWA looks forward to continuing this much-loved tradition of gathering each spring in celebration of the museum’s important work and honoring groundbreaking women in arts.

WHEN
Friday, April 8, 2022
Cocktails: 6:30 p.m.
Dinner and Entertainment: 7:30 p.m.

WHERE
National Building Museum
401 F Street, NW
Washington, DC 20001
Valet parking available 

Apr
11
Mon
STC Mock-Trial Streamed Live @ Online
Apr 11 @ 7:00 PM – 9:00 PM

For the first time ever STC’s sold-out Mock Trial will be streamed live. Tune in on April 11 at 7:30 p.m. to see Supreme Court Justice Stephen G. Breyer preside over the Mock Trial bench, as Second Gentleman Douglas Emhoff and D.C. litigator Debra Katz act as advocates in a case inspired by Shakespeare’s Much Ado About Nothing.

During the judges’ deliberation, STC Bard Association Chair Abbe Lowell and Artistic Director Simon Godwin will discuss the merits of the case further before you cast your own opinion in a live online vote.

Tickets for the livestream are just $25—reserve your spot today!

Apr
21
Thu
EL Studios 15th Anniversary w/ Barcelona-based artist Marissa McInturff @ EL Studios
Apr 21 @ 6:00 PM – 9:00 PM

On Thursday, April 21, from 6-9 PM, EL Studios will host its 15th anniversary by welcoming Barcelona-based artist Marissa McInturff who will share her exciting new works on paper & ceramics.  Marissa is the daughter of notable DC Architect Mark McInturff.  This event will be held at EL Studios which is located at 1319 Naylor Court, NW, 20001.  The event is free, and open to the public so we hope you will consider sharing details with your readers!  Guests are encouraged to RSVP here:

https://www.eventbrite.com/e/dimensional-exhibition-opening-anniversary-reception-tickets-300884332137?aff=odeimcmailchimp

Ursula Xanthe Young solo art show ‘Dreaming in Color’ Reception @ WHINO
Apr 21 @ 7:00 PM – 9:00 PM

Ursula Xanthe Young solo art show ‘Dreaming in Color’

Thu, Apr 21, 2022, 7:00 PM
Reception begins at 7pm
Artist will be in attendance

Dreaming in Color’ is an exploration of color & our senses. “I wanted to examine how color makes us feel on a multi-sensory and subconscious level; not only how different colors affect mood, memory or instinct, but also how a color might taste, feel or sound. As in many of my works this series also focuses on femininity, with women at the center of each piece, often surrounded by microcosms filled with natural elements that help define those senses – tiny worlds: dreams within dreams.

In this particular body of work I thought carefully about the space these pieces would be installed within. I created pieces that intentionally float on the canvases, much like the walls they’ll be mounted on, that float within the space. I wanted them to convey a feeling of weightlessness, adding to the dream-like quality of each piece, and allowing the viewer to tap into the multi-sensory qualities of them. My hope is that through this work, you’ll be fully able to dream in color.”