“The Arts, Identity and Societal Inclusivity” Pop-up exhibit and conversations organized by the Arts for Global Development, Inc aims at facilitating an open, safe and creative environment to talk about identity, diversity as well as those issues that communities tackle on a day to-day basis especially in the context of voluntary and involuntary mobility of millions of people who are scattered across the globe.
The arts provoke thoughts and encourage people to embark upon issues that are sometimes hard to come to terms with. Contemporary artists often examine their identities by using themselves or aspects of themselves as a starting point to tell a story or address a larger issue like “acceptance or belonging”. During this event, one such contemporary designer and a multidisciplinary researcher Neba will showcase her fashion-art pieces that introduce unique and spiritual methods and folk pieces from her ancestry and upbringing.
Along with Neba’s one day/pop up exhibition called “Feast”, the Sandy Spring Museum Director, Allison Weiss and Cameron Okeke from Urban Institute will be sharing their experiences of how they’ve used the arts, from communicating the stories of displaced people to building creative and safe places in broken communities around the US.
“We certainly live in interesting times where social tension is rising in this ongoing “us and them” discourse. With this event we aim tobring our community together and use creativity as a means to broaden our perspectives. We do hope the works and discussions will inspire and encourage everyone in taking actions that support inclusion, ” said Nil Navaie, the founder and president of Arts for Global Development, Inc.
“The Arts, Identity and Societal Inclusivity” Pop-up exhibit and conversations event will be held at the Fridge Arts Gallery (516 8th Street SE, Washington DC) on April 4th from 5:30 – 8 pm.
The event is free, however RSVPs are recommended via http://www.art4development.net/.
The Choral Arts Society of Washington’s Chamber Singers and Youth Choir, together with the New Orchestra of Washington (NOW) and the Aeolus Quartet, will immerse their audience with soundscapes and projections in a subterranean musical experience for Into the Light. Presented on Friday, April 5th and Saturday, April 6th at 8:00pm at Dupont Underground, this unique concert will make use of the shimmering acoustics of the space. The program will present Steve Reich’s Different Trains, a choral and double string quartet arrangement of Samuel Barber’s Adagio for Strings, and a new piece by Choral Arts’ Artistic Director Scott Tucker inspired by the acoustics of the venue, amongst others.
The performance will use the entirety of the Dupont Underground, a former belowground streetcar station which has been transformed into a public artspace. The setting will be particularly apt for the presentation of Reich’s Different Trains, a three-movement piece composed for string quartet (Aeolus Quartet, NOW’s Quartet-in-Residence) and sound effects, inspired by Reich’s train travel while living as a young American Jew during the time of the Holocaust.
For this production, the performers will begin on one end of the underground space and gradually move toward the other, emphasizing the transition from darkness into light. Simultaneously, lighting effects and projections by Production Designer JD Madsen will reflect on the musical content. Further immersing the audience, movable barriers will be used to guide the audience through the performance space.
In addition to Reich’s Different Trains, the concert will present works by Hildegard von Bingen, Gregorio Allegri, Samuel Barber, Ben Parry, R. Murray Schafer, Sarah Hopkins, and Knut Nystedt. Scott Tucker’s latest composition, The Moon and Her Maidens is inspired by the acoustics of the Dupont Underground and composed to pair with R. Murray Schafer’s Epitaph for Moonlight .
“I have been looking for opportunities to present choral music in a more interactive and immersive way,” says Choral Arts Artistic Director, Scott Tucker. “We visited Dupont Underground soon after it opened. The acoustics of the space, and the theme of light and darkness are what inspired the musical program. The collaboration with Jay Brock (Production Director) and JD Madsen (Production Designer) have helped us create a full-sensory experience that will allow the audience to engage with the music with more intensity than they would find in a traditional concert.”
“We are thrilled to bring together so many organizations and artists we have long admired for this unique collaboration,” says Tad Czyzewski, Choral Arts Executive Director, of the collaboration with NOW and the Aeolus Quartet.
More information and tickets ($20) can be found online at https://choralarts.org/events/
The Choral Arts Society of Washington’s Chamber Singers and Youth Choir, together with the New Orchestra of Washington (NOW) and the Aeolus Quartet, will immerse their audience with soundscapes and projections in a subterranean musical experience for Into the Light. Presented on Friday, April 5th and Saturday, April 6th at 8:00pm at Dupont Underground, this unique concert will make use of the shimmering acoustics of the space. The program will present Steve Reich’s Different Trains, a choral and double string quartet arrangement of Samuel Barber’s Adagio for Strings, and a new piece by Choral Arts’ Artistic Director Scott Tucker inspired by the acoustics of the venue, amongst others.
The performance will use the entirety of the Dupont Underground, a former belowground streetcar station which has been transformed into a public artspace. The setting will be particularly apt for the presentation of Reich’s Different Trains, a three-movement piece composed for string quartet (Aeolus Quartet, NOW’s Quartet-in-Residence) and sound effects, inspired by Reich’s train travel while living as a young American Jew during the time of the Holocaust.
For this production, the performers will begin on one end of the underground space and gradually move toward the other, emphasizing the transition from darkness into light. Simultaneously, lighting effects and projections by Production Designer JD Madsen will reflect on the musical content. Further immersing the audience, movable barriers will be used to guide the audience through the performance space.
In addition to Reich’s Different Trains, the concert will present works by Hildegard von Bingen, Gregorio Allegri, Samuel Barber, Ben Parry, R. Murray Schafer, Sarah Hopkins, and Knut Nystedt. Scott Tucker’s latest composition, The Moon and Her Maidens is inspired by the acoustics of the Dupont Underground and composed to pair with R. Murray Schafer’s Epitaph for Moonlight .
“I have been looking for opportunities to present choral music in a more interactive and immersive way,” says Choral Arts Artistic Director, Scott Tucker. “We visited Dupont Underground soon after it opened. The acoustics of the space, and the theme of light and darkness are what inspired the musical program. The collaboration with Jay Brock (Production Director) and JD Madsen (Production Designer) have helped us create a full-sensory experience that will allow the audience to engage with the music with more intensity than they would find in a traditional concert.”
“We are thrilled to bring together so many organizations and artists we have long admired for this unique collaboration,” says Tad Czyzewski, Choral Arts Executive Director, of the collaboration with NOW and the Aeolus Quartet.
More information and tickets ($20) can be found online at https://choralarts.org/events/
When Lisa Fischer last performed at Strathmore she brought the house down to a thunderous standing ovation. Fischer and her band return to Strathmore, this time for a fully orchestrated performance. Featured in the Oscar-winning documentary film 20 Feet from Stardom, Fischer stepped into the spotlight after a successful career as a back-up singer for the likes of the Rolling Stones and Sting. This special evening brings together Fischer and her band, Grand Baton, with musicians from the National Philharmonic to perform powerful renditions of pop favorites by Luther Vandross, Tina Turner, the Rolling Stones, and Sting.
This Tony and Emmy Award-winning actress and singer delights audiences in every show and role, from film and television to voiceover and stage. The public fell in love with her as Sally in You’re a Good Man, Charlie Brown, Glinda in Wicked, and in fabulous roles on West Wing, Glee, and Pushing Daisies, but it’s Chenoweth’s gorgeous jazz standards, gospel songs, and opera works that fill concert halls with her loyal fans time and again. She will perform from her latest release of American Songbook classics, The Art of Elegance, which debuted at #1 on Billboard’s Current Jazz and Traditional Jazz charts, and #1 on Amazon’s Vocal Pop chart. No stranger to the Music Center stage, Chenoweth starred in Strathmore’s groundbreaking production I am Anne Hutchinson/I am Harvey Milk in 2016.
WHAT: The world premiere of the new series ‘Guess I’m a Ghost’ at DC Webfest as part of their American Web Series Watch Party block.
Guess I’m a Ghost is a comedy web series in eight episodes that explores coming to terms with your past mistakes, making amends, and how we both perform ourselves and find out about death through social media. Tonally, the series is a mix between High Maintenance and The Good Place. Using both naturalistic and absurd comedy, the show looks to see how we grieve over imperfect people we think we knew, but maybe didn’t at all. Diane…wasn’t the best friend. She liked to bend the truth and look out for number one. After embarrassing herself at a party, she’s killed in a ride-share accident when climbing into the front seat to charge her phone. Then, because of a mistake in the afterlife, she’s sent back to earth and forced to haunt those she could’ve treated a little better, and might owe her an apology themselves. The series features an original score by Leslie Hong of Haybaby, and will be released in full online on April 29th, following a screening in Los Angeles on April 27th.
WHEN: Saturday, April 13th at 6:00pm
WHERE: MakeOffices Glover Park – 2201 Wisconsin Ave. Suite #200 Washington DC 20007
HOW: Festival programming passes start at $45
Yoga enthusiasts are getting ready to stretch as they listen to The American Pops Orchestra perform selections of early American folk music. Instructor Michael Peterson will guide attendees on a 70-minute journey through yoga and meditation on Saturday, April 13, beginning at 6 p.m. at the Arena Stage at the Mead Center for American Theater-Molly Smith Study, 1101 Sixth St., SW, Washington, D.C.
Tickets are available at http://bit.ly/APOyoga
OFERTÓRIO
CAETANO VELOSO
With Moreno, Zeca & Tom Veloso
For over 35 years, GRAMMY Award-winner Caetano Veloso has been a major musical, social, and cultural force in Brazil. The New York Times calls him “one of the greatest songwriters of the century.” Veloso’s latest project is a collaboration with his sons: Moreno, Zeca, and Tom. This legendary lineage performs an intimate, acoustic concert full of their favorite songs like “Um Canto de Afoxé Para o Bloco do Ilê,” and your favorite songs of Veloso’s like “Cucurrucucu Paloma,” “Sozinho,” and more. Veloso first became known for his participation in the Brazilian musical movement Tropicalismo, which encompassed theatre, poetry, and music in the 1960s, paving the way for pursuits in rock, pop, folk, and Bossa Nova.
The John F. Kennedy Center for the Performing Arts announces a concert featuring three-time Tony Award® winner Jason Robert Brown (Parade, Songs for a New World, The Last Five Years, The Bridges of Madison County) and 2018 Tony Award®winner Lindsay Mendez (Carousel, Wicked, Dogfight) on April 18, 2019 in the Eisenhower Theater. The evening will also feature the nine Musical Theater Fellows of KCACTF from across the United States and Helen Hayes Award winner Tracy Lynn Olivera (the Kennedy Center’s Me…Jane and Ragtime), one of the key teaching artists of the students’ residency at the Kennedy Center. The concert celebrates the 50th Anniversary of Kennedy Center American College Theater Festival’s National Festival, which will take place at the Kennedy Center April 15–20, 2019.
The National Festival includes short play readings featuring the finalists of the John Cauble Award for Outstanding Short Play and the KCACTF Ten-Minute Play Award; the National Irene Ryan Acting Scholarship auditions; master classes, visits to Arena Stage, Woolly Mammoth Theatre Company, the Shakespeare Theatre Company, and the opportunity to network with peers from across the nation and the Washington, D.C. theater community. The National Festival closes with the presentation of awards for excellence in production, directing, choreography, acting, writing, design, stage management, dramaturgy, and dramatic criticism.
Gregg Henry, Artistic Director of KCACTF states, “The Kennedy Center American College Theater Festival has been offering professional development opportunities to thousands of young artists for the past 50 years. Jason has been a staple of KCACTF over the years—his students have been past recipients of the Musical Theater Award and he served as a teaching artist for several Festivals. We are thrilled that high caliber artists such as Jason and Lindsay will be performing in the 50th anniversary tribute as well as meeting with the playwriting and musical theater students while in residence.”
TICKET INFORMATION
An Evening with Jason Robert Brown and his Band, with Special Guest Lindsay Mendez will be performed Thursday, April 18, 2019, at 8:00 p.m. in the Eisenhower Theater. For more information, please visit the Kennedy Center website, in-person at the Kennedy Center Box Office, or call (202) 467-4600 or (800) 444-1324.
Music from the Suitcase + Meditations on Family with Pianist Anna Polonsky
Featuring Washington D.C. Premieres by Gity Razaz and Andreia Pinto Correia
Commissioned by Washington Performing Arts
Tuesday, April 23, 2019 at 7:30pm
The John F. Kennedy Center for the Performing Arts | 2700 F Street NW | Washington, DC
Tickets: $45 at www.washingtonperformingarts.
On Tuesday, April 23, 2019 at 7:30pm, Russian-American violinist Yevgeny Kutik, known for his “dark-hued tone and razor-sharp technique” (The New York Times) makes his Kennedy Center debut presented by Washington Performing Arts at The John F. Kennedy Center for the Performing Arts Terrace Theater (2700 F Street NW). Kutik and pianist Anna Polonsky, lauded for her “dazzling virtuosity” (San Francisco Chronicle) will perform selections from Kutik’s ongoing project Music from the Suitcase including Stravinsky’s Divertimento from A Fairy’s Kiss; Prokofiev’s Waltz from Cinderella (arr. Fikhtengoltz); and Rubenstein’s Romance in E-flat Major, Op. 44, No. 1 (arr. Wieniawski); plus Schnittke’s Sonata for Violin and Piano No. 1 and Prokofiev’s Sonata for Violin and Piano No. 2. Following the concert, there will be a talkback with Kutik and NPR’s Nina Totenberg, who has followed Kutik’s career since his student days under her father’s tutelage.
They will also give the first Washington D.C. performances of two new works that are part of Kutik’s new commissioning project,Meditations on Family – Gity Razaz’s Cadenza for the Once Young and Andreia Pinto Correia’s Litania, commissioned for Yevgeny Kutik by Washington Performing Arts.
