Cellist Amanda Gookin takes a major step forward in her mission to make classical music an active force for political good with her Forward Music Project on March 29 at 9:00 p.m. inside Dupont Underground. Praised for “Gookin’s focus and ferocity—coupled with expert technical work” (The Strad), Forward Music Project is presented by National Sawdust Projects—the producing arm of National Sawdust. As part of DIRECT CURRENT’s initiative to take Kennedy Center artists and programming out into the world beyond the traditional concert hall, Forward Music Project reaches new Washington-area audiences at Dupont Underground, a reclaimed 75,000-square-foot art exhibition and performance space built inside the only underground station in D.C.’s old streetcar system.
Forward Music Project commissions seven original multimedia works for cello by some of today’s most forward-thinking composers: Leila Adu, Angélica Negrón,Amanda Feery, Allison Loggins-Hull, Nathalie Joachim, Jessica Meyer, andMorgan Krauss. Pushing the boundaries of traditional writing for cello, Gookin’s performance incorporates singing, chanting, staging effects, and projection art in collaboration with video and projections designer S. Katy Tucker (NSO Pops: West Side Story, the Ring Cycle). The stylistically contrasting compositions focus on the first-person perspectives of women, highlighting issues from the LGBTQ+ community and reproductive rights to harassment and human trafficking.
Ticket Information
Amanda Gookin’s Forward Music Project will be performed on Friday, March 29 at 9 p.m. at Dupont Underground. Tickets ($20) are available at the Kennedy Center Box Office, on the Kennedy Center website, and via phone through Instant Charge, (202) 467-4700; toll-free at (800) 444-1324. For all other ticket-related customer service inquires, call the Advance Sales Box Office at (202) 416-8540
Washington Bach Consort will continue to offer their original Downtown Cantata Series at the Church of the Epiphany on the first Tuesday of each month during their season.
Monday, April 1, 12:10pm
Washington Bach Consort will continue to offer their original Downtown Cantata Series at the Church of the Epiphany on the first Tuesday of each month during their season.
The Choral Arts Society of Washington’s Chamber Singers and Youth Choir, together with the New Orchestra of Washington (NOW) and the Aeolus Quartet, will immerse their audience with soundscapes and projections in a subterranean musical experience for Into the Light. Presented on Friday, April 5th and Saturday, April 6th at 8:00pm at Dupont Underground, this unique concert will make use of the shimmering acoustics of the space. The program will present Steve Reich’s Different Trains, a choral and double string quartet arrangement of Samuel Barber’s Adagio for Strings, and a new piece by Choral Arts’ Artistic Director Scott Tucker inspired by the acoustics of the venue, amongst others.
The performance will use the entirety of the Dupont Underground, a former belowground streetcar station which has been transformed into a public artspace. The setting will be particularly apt for the presentation of Reich’s Different Trains, a three-movement piece composed for string quartet (Aeolus Quartet, NOW’s Quartet-in-Residence) and sound effects, inspired by Reich’s train travel while living as a young American Jew during the time of the Holocaust.
For this production, the performers will begin on one end of the underground space and gradually move toward the other, emphasizing the transition from darkness into light. Simultaneously, lighting effects and projections by Production Designer JD Madsen will reflect on the musical content. Further immersing the audience, movable barriers will be used to guide the audience through the performance space.
In addition to Reich’s Different Trains, the concert will present works by Hildegard von Bingen, Gregorio Allegri, Samuel Barber, Ben Parry, R. Murray Schafer, Sarah Hopkins, and Knut Nystedt. Scott Tucker’s latest composition, The Moon and Her Maidens is inspired by the acoustics of the Dupont Underground and composed to pair with R. Murray Schafer’s Epitaph for Moonlight .
“I have been looking for opportunities to present choral music in a more interactive and immersive way,” says Choral Arts Artistic Director, Scott Tucker. “We visited Dupont Underground soon after it opened. The acoustics of the space, and the theme of light and darkness are what inspired the musical program. The collaboration with Jay Brock (Production Director) and JD Madsen (Production Designer) have helped us create a full-sensory experience that will allow the audience to engage with the music with more intensity than they would find in a traditional concert.”
“We are thrilled to bring together so many organizations and artists we have long admired for this unique collaboration,” says Tad Czyzewski, Choral Arts Executive Director, of the collaboration with NOW and the Aeolus Quartet.
More information and tickets ($20) can be found online at https://choralarts.org/events/
The Choral Arts Society of Washington’s Chamber Singers and Youth Choir, together with the New Orchestra of Washington (NOW) and the Aeolus Quartet, will immerse their audience with soundscapes and projections in a subterranean musical experience for Into the Light. Presented on Friday, April 5th and Saturday, April 6th at 8:00pm at Dupont Underground, this unique concert will make use of the shimmering acoustics of the space. The program will present Steve Reich’s Different Trains, a choral and double string quartet arrangement of Samuel Barber’s Adagio for Strings, and a new piece by Choral Arts’ Artistic Director Scott Tucker inspired by the acoustics of the venue, amongst others.
The performance will use the entirety of the Dupont Underground, a former belowground streetcar station which has been transformed into a public artspace. The setting will be particularly apt for the presentation of Reich’s Different Trains, a three-movement piece composed for string quartet (Aeolus Quartet, NOW’s Quartet-in-Residence) and sound effects, inspired by Reich’s train travel while living as a young American Jew during the time of the Holocaust.
For this production, the performers will begin on one end of the underground space and gradually move toward the other, emphasizing the transition from darkness into light. Simultaneously, lighting effects and projections by Production Designer JD Madsen will reflect on the musical content. Further immersing the audience, movable barriers will be used to guide the audience through the performance space.
In addition to Reich’s Different Trains, the concert will present works by Hildegard von Bingen, Gregorio Allegri, Samuel Barber, Ben Parry, R. Murray Schafer, Sarah Hopkins, and Knut Nystedt. Scott Tucker’s latest composition, The Moon and Her Maidens is inspired by the acoustics of the Dupont Underground and composed to pair with R. Murray Schafer’s Epitaph for Moonlight .
“I have been looking for opportunities to present choral music in a more interactive and immersive way,” says Choral Arts Artistic Director, Scott Tucker. “We visited Dupont Underground soon after it opened. The acoustics of the space, and the theme of light and darkness are what inspired the musical program. The collaboration with Jay Brock (Production Director) and JD Madsen (Production Designer) have helped us create a full-sensory experience that will allow the audience to engage with the music with more intensity than they would find in a traditional concert.”
“We are thrilled to bring together so many organizations and artists we have long admired for this unique collaboration,” says Tad Czyzewski, Choral Arts Executive Director, of the collaboration with NOW and the Aeolus Quartet.
More information and tickets ($20) can be found online at https://choralarts.org/events/
When Lisa Fischer last performed at Strathmore she brought the house down to a thunderous standing ovation. Fischer and her band return to Strathmore, this time for a fully orchestrated performance. Featured in the Oscar-winning documentary film 20 Feet from Stardom, Fischer stepped into the spotlight after a successful career as a back-up singer for the likes of the Rolling Stones and Sting. This special evening brings together Fischer and her band, Grand Baton, with musicians from the National Philharmonic to perform powerful renditions of pop favorites by Luther Vandross, Tina Turner, the Rolling Stones, and Sting.
This Tony and Emmy Award-winning actress and singer delights audiences in every show and role, from film and television to voiceover and stage. The public fell in love with her as Sally in You’re a Good Man, Charlie Brown, Glinda in Wicked, and in fabulous roles on West Wing, Glee, and Pushing Daisies, but it’s Chenoweth’s gorgeous jazz standards, gospel songs, and opera works that fill concert halls with her loyal fans time and again. She will perform from her latest release of American Songbook classics, The Art of Elegance, which debuted at #1 on Billboard’s Current Jazz and Traditional Jazz charts, and #1 on Amazon’s Vocal Pop chart. No stranger to the Music Center stage, Chenoweth starred in Strathmore’s groundbreaking production I am Anne Hutchinson/I am Harvey Milk in 2016.
Yoga enthusiasts are getting ready to stretch as they listen to The American Pops Orchestra perform selections of early American folk music. Instructor Michael Peterson will guide attendees on a 70-minute journey through yoga and meditation on Saturday, April 13, beginning at 6 p.m. at the Arena Stage at the Mead Center for American Theater-Molly Smith Study, 1101 Sixth St., SW, Washington, D.C.
Tickets are available at http://bit.ly/APOyoga
