Mar
22
Fri
“Code Girls” Reunion and Women’s History Month Observation @ Library of Congress, LJ 119, Thomas Jefferson Building
Mar 22 @ 12:00 PM – 2:00 PM

Join the Library of Congress Veterans History Project for the first-ever “Code Girls” reunion, which will include a processional of some of the remaining “Code Girls” and loved ones of deceased Code Girls, remarks by “New York Times” bestselling author Liza Mundy and a special presentation to these history-making women, credited with helping the United States win World War II.

In March 2018, Mundy visited the Library to discuss her book “Code Girls: The Untold Story of Women Codebreakers of World War II”. In researching for the book, Mundy utilized the Library’s Veterans History Project collections and featured women veterans from the collections in the book.    That event, coupled with the book’s increasing popularity, started a national conversation about these unsung women.  Loved ones of the “Code Girls” reached out to the author, formed an unofficial online community and overwhelmingly agreed that the time is now to draw attention to and preserve this important piece of American history.

The event is free, but tickets are required. To secure tickets, visit this event-ticketing sitehttps://www.eventbrite.com/e/veterans-history-project-code-girls-reunion-registration-55390748219.

Art on the Vine @ The Art League
Mar 22 @ 7:00 PM – 10:00 PM

Art on the Vine

March 22, 2019 7:00-10:00

Tickets: $45/$55 (must be 21+)

Sommelier Tony Acampora creates a multifaceted tasting experience featuring 10 estate grown wines chosen in concert with artworks from The Art League’s faculty artists at Art on the Vine, Friday, March 22, 7:00 to 10:00 pm. Held at The Art League Gallery in the Torpedo Factory Art Center, the event’s paired works include a diamond-studded bracelet by Gretchen Raber, oil portraiture by Dannie Dawson and Tania Karpowitz, abstract acrylic work by Brian Jernigan and more. The wine menu spans four continents and includes red, white, and sparkling wines like Valpolicella Ripasso, Central Coast Chardonnay, Oregon Pinot Gris, and a Reserve Malbec.

Of the menu, Acampora says, “The wines I’ve selected for Art on the Vine are truly hard-to-find and made by artisan producers. The wines reflect the spirit of the artwork they’re paired with for the evening.”

In addition to eight tastings and a full pour of one’s choice, tickets come with a souvenir wine glass, a light buffet, and the opportunity to purchase bottles as well as a one-night-only discount of 10% on all gallery artwork and a 20% discount of artwork from The Art League’s permanent collection.

Works by Rachel Collins, Delna Dastur, Danni Dawson, Michael Heilman, Brian Jernigan, Tania Karpowitz, Joey Manlapaz, Blair Meerfeld, Gretchen Raber, and Ted Reed serve as oenological inspiration and will be on view at the event. Tasting notes with serving suggestions are furnished. Tony Acampora, the event sommelier, represents wine importer and distributor Well Crafted Wine and Beverage Co.

Ticket sales, art sales, and a portion of the wine sales all raise money to benefit The Art League and its programs.

Art on the Vine Tickets: https://www.eventbrite.com/e/art-on-the-vine-2019-tickets-52719992918

Mar
23
Sat
Renée Fleming VOICES series: Jamie Barton @ Kennedy Center
Mar 23 @ 7:30 PM – 9:30 PM
The 2018–2019 Renée Fleming VOICES series continues with Jamie Barton on Saturday, March 23, 2019, at 7:30 p.m. in the Terrace Theater. Accompanied by pianist Kathleen Kelly, Barton’s one-night-only recital will feature classics from Haydn, Strauss, and Ravel while showcasing the voices of women, including works by composers Nadia and Lili Boulanger and Americans Elinor Remick Warren and Amy Beach. Barton’s performance also features Love After 1950, a contemporary song cycle by Libby Larsen that uses offbeat vocal styles like blues, tango, and honky-tonk to evoke different moods. Tickets for this program are $49–$69.
Praised by Gramophone as having “the sort of instrument you could listen to all day, in any sort of repertoire,” Georgia native Jamie Barton has brought her vivacious mezzo-soprano to the world’s most renowned stages, captivating audiences at Carnegie Hall, Royal Opera House Covent Garden, Teatro Real Madrid, and the Metropolitan Opera. Her debut solo album, All Who Wander, featuring songs by Mahler, Dvořák, and Sibelius, was recently named winner of the 2018 BBC Music Magazine Vocal Award. Barton is the recipient of the Kennedy Center’s 2014 Marian Anderson Vocal Award, and last appeared at Washington National Opera portraying Princess Eboli in Don Carlo (2018) and Waltraute and 2nd Norn in Wagner’s RingCycle (2016).
“From the classical world, where virtuosity and technique are developed to Olympic standards, mezzo-soprano Jamie Barton is a singer of such spectacular gifts that she has won virtually every top award there is: the Richard Tucker Prize, the BBC Cardiff Singer of the World, and the Metropolitan Opera National Council Auditions, to name but three. And her star is still rising,” says Kennedy Center Artistic Advisor-at-Large Renée Fleming. “Jamie’s powerful, sumptuously beautiful voice, combined with her personal warmth and artistic intelligence, make her performances unforgettable; and I expect that the opportunity to hear her in an intimate space like the Terrace Theater will become even rarer as she continues to conquer the world’s great opera houses.”
The Renée Fleming VOICES series includes performances by outstanding artists from a wide range of genres including Broadway, jazz, pop, and opera. The 2018–2019 season continues with Theo Bleckmann (Thursday, April 4, 2019 at 9 p.m.), and Patina Miller (Saturday, April 27, 2019 at 7:30 p.m.).
 
Ticket Information
Tickets ($49-$69) are available from the Kennedy Center Box Office, online atwww.kennedy-center.org, and by calling (202) 467-4600. To purchase a subscription for the Renée Fleming VOICES series, patrons should visit the Box Office, call the Subscription Office at (202) 416-8500, or go to www.kennedy-center.org/subscribe. Groups of 20 or more may contact the Kennedy Center Group Sales office at (202) 416-8400.
Mar
28
Thu
Style and Scent in the 18th Century @ Hillwood Museum & Gardens
Mar 28 @ 5:30 PM – 8:00 PM

Style and Scent in the 18th Century

Thursday, March 28, 2019, 5:30-8 p.m. 

Rebecca Tilles, curator of Perfume & Seduction, and Dr. Kimberly Chrisman-Campbell, independent scholar, will examine the French bathing ritual known as la toilette during the 1700s.

Please note: This is the first program in the Perfume & Seduction lecture series.

www.HillwoodMuseum.org 

4155 Linnean Avenue, NW, Washington, DC 20008

Mar
29
Fri
Amanda Gookin’s Forward Music Project @ Dupont Underground
Mar 29 @ 9:00 PM – 11:00 PM

Cellist Amanda Gookin takes a major step forward in her mission to make classical music an active force for political good with her Forward Music Project on March 29 at 9:00 p.m. inside Dupont Underground.  Praised for “Gookin’s focus and ferocity—coupled with expert technical work” (The Strad), Forward Music Project is presented by National Sawdust Projects—the producing arm of National Sawdust. As part of DIRECT CURRENT’s initiative to take Kennedy Center artists and programming out into the world beyond the traditional concert hall, Forward Music Project reaches new Washington-area audiences at Dupont Underground, a reclaimed 75,000-square-foot art exhibition and performance space built inside the only underground station in D.C.’s old streetcar system.

Forward Music Project commissions seven original multimedia works for cello by some of today’s most forward-thinking composers: Leila AduAngélica Negrón,Amanda FeeryAllison Loggins-HullNathalie JoachimJessica Meyer, andMorgan Krauss. Pushing the boundaries of traditional writing for cello, Gookin’s performance incorporates singing, chanting, staging effects, and projection art in collaboration with video and projections designer S. Katy Tucker (NSO Pops: West Side Story, the Ring Cycle). The stylistically contrasting compositions focus on the first-person perspectives of women, highlighting issues from the LGBTQ+ community and reproductive rights to harassment and human trafficking.

Ticket Information

Amanda Gookin’s Forward Music Project will be performed on Friday, March 29 at 9 p.m. at Dupont Underground. Tickets ($20) are available at the Kennedy Center Box Office, on the Kennedy Center website, and via phone through Instant Charge, (202) 467-4700; toll-free at (800) 444-1324. For all other ticket-related customer service inquires, call the Advance Sales Box Office at (202) 416-8540

Apr
1
Mon
Capital Cantata at St. Peter’s on Capital Hill @ St. Peters on Capitol Hill
Apr 1 @ 12:10 PM – 1:10 PM
The Washington Bach Consort kicks off spring with the return of their Capitol Cantata Series at St. Peter’s on Capitol Hill (313 2nd St., SE) beginning on Monday, March 4th. The series will run the first Monday of each month until May 6.
The series continues the Bach Consort’s mission of introducing and making accessible the music of J.S. Bach to audiences who may not have prior familiarity with his work or with classical music in general. For nearly three decades, Washington Bach Consort has presented the free Noontime Cantata Series in downtown DC at the Church of the Epiphany (1317 G Street, NW). They expanded their work last year to include the Capitol Cantatas Series, fulfilling the long-time dream of Washington Bach Consort Founder, the late Dr. J Reilly Lewis.

Washington Bach Consort will continue to offer their original Downtown Cantata Series at the Church of the Epiphany on the first Tuesday of each month during their season.

For a full schedule and more info, visit:https://bachconsort.org/noontime-cantatas/

Monday, April 1, 12:10pm

Capital Cantata at St. Peter’s on Capital Hill
Cantata: Ich bin vergnügt mit meinem Glücke, BWV 84
 
Apr
2
Tue
Downtown Cantata Series at Church of Epiphany @ Church of the Epiphany
Apr 2 @ 12:10 PM – 1:10 PM
The Washington Bach Consort kicks off spring with the return of their Capitol Cantata Series at St. Peter’s on Capitol Hill (313 2nd St., SE) beginning on Monday, March 4th. The series will run the first Monday of each month until May 6.
The series continues the Bach Consort’s mission of introducing and making accessible the music of J.S. Bach to audiences who may not have prior familiarity with his work or with classical music in general. For nearly three decades, Washington Bach Consort has presented the free Noontime Cantata Series in downtown DC at the Church of the Epiphany (1317 G Street, NW). They expanded their work last year to include the Capitol Cantatas Series, fulfilling the long-time dream of Washington Bach Consort Founder, the late Dr. J Reilly Lewis.

Washington Bach Consort will continue to offer their original Downtown Cantata Series at the Church of the Epiphany on the first Tuesday of each month during their season.

For a full schedule and more info, visit:https://bachconsort.org/noontime-cantatas/
 
Tuesday, April 2, 12:10pm
Downtown Cantata Series at Church of Epiphany

Organ Prelude: Toccata, Adagio & Fugue in C, BWV 564
Dana Marsh, organist
KC Jukebox with Chanticleer @ Kennedy Center
Apr 2 @ 7:30 PM – 9:30 PM
The John F. Kennedy Center for the Performing Arts and Composer in Residence Mason Bates continue the 2018–2019 season of their immersive new-music series, KC Jukebox, with the renowned male a cappella group Chanticleer on Tuesday, April 2, 2019 at 7:30 p.m. in the Family Theater. The penultimate program of the KC Jukebox season will feature the music by Robert Shaw, Kurt Weill, Steven Stucky, Ned Rorem, and Queen’s Freddie Mercury—all anchored by Bates’s 30-minute song cycle, Sirens.
Bates composed the 12-part a cappella work, Sirens, for Chanticleer in 2009 and noted “this cycle casts a wide net in exploring seduction music.” Separated into five movements, the text is based on Book XII of the Odyssey, poems by Heinrich Heine and Pietro Aretino, and a sacred prayer of the Quechua Indians in South America. Sirens explores the notion that sirens are not only a sign of danger, but perhaps a symbol of purity and harmony. Part of DIRECT CURRENT, the Kennedy Center’s two-week celebration of contemporary culture, Chanticleer’s program features new vocal music from the 20th and 21st centuries.
Continuing to reinvent the traditional concert experience, each KC Jukebox event connects audiences directly to the music through a sight and surround-sound experience—projected program notes, contemporary-classical fusion concert, a free after-party featuring guest DJs, and a cash bar.
 
PROGRAM DETAILS
Chanticleer
Tuesday, April 2, 2019 at 7:30 p.m.
Family Theater
Three-time Grammy®-winning male vocal group returns with a program of 20th and 21st century choral music, featuring Mason Bates’s 12-part a cappella song cycle,Sirens.
TICKET AND INFORMATION
Tickets are $39 and information is available at the Kennedy Center Box Office, online at www.kennedy-center.org, or by calling (202) 467-4600.
Apr
3
Wed
David Sedaris at Strathmore @ Music Center at Strathmore
Apr 3 @ 8:00 PM – 10:00 PM

Bestselling author of Me Talk Pretty One Day and other satirical gems David Sedaris returns with the acerbic humor, social commentary, and outlandish stories that transfixed a sold-out audience at his last Strathmore show. Sedaris is one of today’s most observant writers addressing the human condition, which he details hilariously in his latest book, Calypso, described as beach reading for people who detest beaches and required reading for those who loathe small talk. Fans will love to hear these stories live as the Grammy-nominee and New York Times best-selling author brings heart and hilarity to the stage.

Apr
5
Fri
Into the Light @ Dupont Underground
Apr 5 @ 8:00 PM – 10:00 PM

The Choral Arts Society of Washington’s Chamber Singers and Youth Choir, together with the New Orchestra of Washington (NOW) and the Aeolus Quartet, will immerse their audience with soundscapes and projections in a subterranean musical experience for Into the Light. Presented on Friday, April 5th and Saturday, April 6th at 8:00pm at Dupont Underground, this unique concert will make use of the shimmering acoustics of the space. The program will present Steve Reich’s Different Trains, a choral and double string quartet arrangement of Samuel Barber’s Adagio for Strings, and a new piece by Choral Arts’ Artistic Director Scott Tucker inspired by the acoustics of the venue, amongst others.

The performance will use the entirety of the Dupont Underground, a former belowground streetcar station which has been transformed into a public artspace. The setting will be particularly apt for the presentation of Reich’s Different Trains, a three-movement piece composed for string quartet (Aeolus Quartet, NOW’s Quartet-in-Residence) and sound effects, inspired by Reich’s train travel while living as a young American Jew during the time of the Holocaust.

For this production, the performers will begin on one end of the underground space and gradually move toward the other, emphasizing the transition from darkness into light. Simultaneously, lighting effects and projections by Production Designer JD Madsen will reflect on the musical content. Further immersing the audience, movable barriers will be used to guide the audience through the performance space.

In addition to Reich’s Different Trains, the concert will present works by Hildegard von Bingen, Gregorio Allegri, Samuel Barber, Ben Parry, R. Murray Schafer, Sarah Hopkins, and Knut Nystedt. Scott Tucker’s latest composition, The Moon and Her Maidens is inspired by the acoustics of the Dupont Underground and composed to pair with R. Murray Schafer’s Epitaph for Moonlight .

“I have been looking for opportunities to present choral music in a more interactive and immersive way,” says Choral Arts Artistic Director, Scott Tucker. “We visited Dupont Underground soon after it opened. The acoustics of the space, and the theme of light and darkness are what inspired the musical program. The collaboration with Jay Brock (Production Director) and JD Madsen (Production Designer) have helped us create a full-sensory experience that will allow the audience to engage with the music with more intensity than they would find in a traditional concert.”

“We are thrilled to bring together so many organizations and artists we have long admired for this unique collaboration,” says Tad Czyzewski, Choral Arts Executive Director, of the collaboration with NOW and the Aeolus Quartet.

More information and tickets ($20) can be found online at https://choralarts.org/events/into-the-light.