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Performances by student artists, including the annual return of vocal students from the Duke Ellington School of the Arts Opera Program, starring the winner of their Virginia Williams Opera Prize as one of the featured singers.
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A meet-and-greet with M&M’S® Brand Chief Chocolate Officer, Ms. Brown.
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AMERICAN HERITAGE® Chocolate demonstrations and lessons in chocolate history.
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A screening of the Warner Bros. cartoon “Rabbit of Seville” starring Bugs Bunny. Highlighting Rossini’s celebrated overture from The Barber of Seville, this parody of the opera features frenemies Bugs Bunny and Elmer Fudd in break-neck chases, gags and laughs.
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Photo opportunities for kids of all ages with a living statue of Babe Ruth as well as roaming opera characters.
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Kids can enjoy the playground, dress up with items from the Washington National Opera costume trunk, visit the craft table, have their faces painted, and experience the National Symphony Orchestra’s instrument meet & greet.
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Chances to win prizes, including a family fun pack of four tickets to an event at the Kennedy Center, tickets to the Kennedy Center’s 21st Annual Mark Twain Prize for American Humor honoring Julia Louis-Dreyfus, a prize from M&M’S® Brand Chocolate Candies, a subscription to the Washington National Opera 2018-2019 season, a pair of tickets to a 2019 Nationals home game, and more.
The Walters Art Museum celebrates a year of transformation at its annual Gala & Party, a memorable event unlike any other in Baltimore. This year’s theme, Metamorphosis, unites depictions of growth and renewal in the Walters’ collection with the fashion of today, and commemorates the exciting events of 2018, including the opening of 1 West Mount Vernon Place.
Guests start the evening with a cocktail reception at 6 p.m. on the Sculpture Court, followed by a three-course gourmet dinner served in the galleries. At the Party, which begins at 9 p.m., guests enjoy an open bar, light fare and desserts, and dancing on the Sculpture Court.
WHERE:
Walters Art Museum
600 North Charles Street
Baltimore, MD 21201
WHEN:
Saturday, October 13, 2018
Gala: 6–9 p.m.
Party: 9 p.m.–midnight
WHY:
The Gala & Party provides major funding for the Walters’ education and exhibition programming and supports free admission for all. Every year, the Walters benefits over 148,000 people, including over 75,000 visitors who participate in education programs and 38,000 PreK–12 students and teachers.
Come by and celebrate dance and art with DTSBDC and other arts-interested Washingtonians ahead of the premiere of “Silhouettes” at the National Portrait Gallery. Monday, October 22nd, 6:30-8:30pm at the Darlington House in Dupont Circle (1610 20th Street NW): First drink (cocktail, wine or beer) and an array of yummy hors d’oeuvres will be included. Cash bar available for additional orders. RSVP here: https://silhouettes_
The modern dance company is at a unique intersection of visual art and modern dance with choreographer Dana Tai Soon Burgess creating dance works inspired by museum exhibitions as the Smithsonian’s first-ever choreographer-in-residence.
Dr. Erick Hosaka of Hosaka Dental, Board Member of Dana Tai Soon Burgess Dance Company, and The Diplomats of Dance Society are hosting a Happy two-Hour ahead of the premiere of “Silhouettes” at the National Portrait Gallery (Saturday, October 27th and Monday, October 30th). More info below:
About “Silhouettes”:
Dana Tai Soon Burgess, the Smithsonian’s first ever Choreographer-in-Residence, and his company will respond to the amazing “Black Out” exhibition in a poignant modern dance work with video by designer Kelly Colburn on Saturday, October 27th and Monday, October 30th at the National Portrait Gallery, McEvoy Auditorium, 6:30pm.
“Black Out: Silhouettes Then and Now,” an exhibition that explores the relatively unstudied art form of silhouettes—cut paper profiles—which were a hugely popular and democratic form of portraiture in the 19th century.
RSVP required: https://silhouettes_
All RSVP/giving levels are a tax-deductible donation to Dana Tai Soon Burgess Dance Company, a 501c3 nonprofit arts organization.
Arena Stage will host a silent and live wine auction on Friday, October 26, 2018 at the Mead Center for American Theater (1101 Sixth St., SW). The event is helmed by Arena Stage Trustees Judith N. Batty, Gene Samburg and Beth Newburger Schwartz.
The evening kicks off at 6:30 p.m. with a reception and silent auction, followed by a seated dinner, paired with wines donated by Total Wine & More. Event attendees will have the opportunity to bid on exclusive items and experiences throughout the event, including the Bordeaux Experience, valued at $5,000, where two couples traveling together will enjoy a three-night stay in a château in romantic Bordeaux, with VIP treatment, including one-of-a-kind vineyard and winery tours, private wine tastings and an insider’s look at winemaking in France’s most famous wine region. Also available for bid is a one-week stay in a four bedroom, four-and-a-half-bathroom private residence villa at the Four Seasons Resort Punta Mita, valued at $20,000, with an infinity edged heated plunge pool, spacious covered terrace and patio, hot tub, panoramic Pacific Ocean view and full kitchen (3,600 feet of indoor space and 3,600 feet of outdoor space). Winners of the Punta Mita package will enjoy full use of the Four Seasons Resort facilities and amenities, including room service. The following wines will also be available for bid:
- 2007 Schrader CCS Cabernet Sauvignon, WS 100; RP 100, valued at $1,000
- 2004 Harlan Estate Cabernet Sauvignon, WS 98 ; RP 98, valued at $1,000
- 2008 Penfolds Grange Shiraz, WS 100 ; RP 100,,valued at $750
- 2007 Staglin 25th Anniversary Selection Cabernet Sauvignon, WS 95, RP 96, valued at $750
- 2002 Sloan Cabernet Sauvignon, WS 99; RP 100, valued at $750
Additional auction items will be announced at a later date.
All proceeds from the evening support Arena Stage’s award-winning artistic and community engagement programs.
Individual tickets start at $300. Space is limited. For additional event details, visit arenastage.org/support/
El Día de los Muertos Celebration
Thursday, Nov. 1, 5:30 p.m.
Robert and Arlene Kogod Courtyard
Join us for an evening of music, dancing and crafts in celebration of Latin American heritage, including special performances by the DC-based band Los Gallos Negros and dancers from the Maru Montero Dance Company.
Morning at the Museum
Saturday, Nov. 10, 10–11:30 a.m.
Kogod Courtyard
Experience a sensory-friendly program for families of children with disabilities. The program includes early entrance into the museum, facilitated activities and a Take-a-Break Space. Registration Required. To learn more about the program or to register, contact Ashley Grady at NPGaccess@si.edu.
UnSeen: Past, Present and Future
Tuesday, Nov. 13, 6:30 p.m.
Nan Tucker McEvoy Auditorium
This roundtable discussion of the museum’s special exhibition “UnSeen: Our Past in a New Light, Ken Gonzales-Day and Titus Kaphar” will include contemporary artists Gonzales-Day and Kaphar, Portrait Gallery curators Taína Caragol and Asma Naeem, and Sheryll Cashin, a writer and law professor at Georgetown University. Several other artists, cultural critics, and scholars will join the conversation, which promises to touch on ideas of race, identity and pluralism. Registration is required at npg.eventbrite.com.
Join in on November 16, 2018 from 6:00-10:00PM for an ArtJamz Neon Paint Party celebrating the Fall Season in the District. During an ArtJamz Neon Paint Party you can paint our walls (or buy a canvas) using neon paint while under a blacklight. Tickets for the Neon Paint Party are $15 per person. They include 1HR of studio time, neon paint, other art materials, 1 complimentary craft cocktail and jamming glow in the dark fun. They’ll be playing awesome music and getting creative in the dark.
Mars Urban Arts Initiative and Washington Performing Arts Gospel Choirs
VeVe & tha Rebels
Saturday, December 1, 5 p.m.
The LINE Hotel
2018/19 Mars Urban Arts Initiative ensemble-in-residence VeVe & tha Rebels performs original Afro-folk at The LINE DC, Washingtonian Magazine’s “favorite hotel at which to hang out.” This concert will be broadcast live via The Line DC’s Full Service Radio online stream.
Free and open to the public.
Co-presented with The LINE DC.
Washington Performing Arts’ Mars Urban Arts Initiative is generously supported by Jacqueline Badger Mars and Mars, Incorporated.
On Sunday, December 2, 2018 at 3:30pm, German-born composer, vocalist, and internationally renowned theremin virtuoso Carolina Eyck and the American Contemporary Music Ensemble (ACME) will perform presented by the National Gallery of Art in the West Building, West Garden Court (entrance at Sixth Street and Constitution Avenue). Doors open to the public at 3pm, and admission is free.
Eyck and ACME will give the Washington, DC premiere of Eyck’s Fantasias for theremin and string quartet, and Eyck will perform her solo songs Music on a Painting and Delphic. The program includes composer and The National guitarist Bryce Dessner’s Little Blue Something for string quartet, performed by ACME, and will feature improvised selections by Eyck and ACME cellist and artistic director Clarice Jensen. In addition to Jensen, the ACME players for this concert are Ben Russell, violin; Keats Dieffenbach, violin; and Isabel Hagen, viola.
Fantasias was released to critical acclaim on Butterscotch Records in 2016. For the project, Eyck composed six minimalist-inspired string quartet pieces, over which she improvises a solo theremin part. With these pieces, Eyck strives to “sonically investigate the interplay between nature and human imagination.” Eyck’s musically daring and physically challenging compositions defy easy classification, while her uncanny mastery of the theremin and use of electronic effects bring an authentically fresh sonic pallet to the forefront. Her Fantasias range from slow-evolving arpeggiations reminiscent of Reich and Glass, to alternative bowing and fingering techniques that achieve an ethereal ambience, to athletic explorations reminiscent of Bartók’s String Quartets.
Eyck’s striking theremin performances showcase her dead-aim intonation, her command of microtonality, her fluid melodicism, and her lack of self-consciousness as an improvisor. This latter quality is no accident, as Eyck has practiced improvisation for years, and has even studied techniques typically aimed at athletes for entering flow-states and shutting down critical inner dialogue.
Since making her debut in the Berlin Philharmonie, Carolina Eyck has been invited to perform all over the world. The BBC World Service proclaims, “Carolina Eyck is one of the world’s leading theremin players … and is a pioneer of this relatively new instrument,” and Cicero calls her the “queen of the theremin.” She was a winner of the 2015 ECHO-Classic prize in Germany for Concert Recording of the Year (Music 20./21.Century), and her book The Art of Playing the Theremin (written when she was 17) teaches the theremin technique she developed at age 14.