The John F. Kennedy Center for the Performing Arts announces a free celebration of the 20th anniversary of Millennium Stage to thank the audiences, artists, donors, staff, ushers, fellows, and more who have made this one-of-a-kind venture a continued, resounding success. The March 19event, utilizing both the north and south stages, will feature performances by Celtic rock band Scythian and New Orleans funk band Big Sam’s Funky Nation in a massive party overtaking the Center’s Grand Foyer.

Founded in 1997 by former Kennedy Center Board Chair James A. Johnson, the Millennium Stage remains the only venue in the world to offer a free performance every day of the year that is also streamed live on the web, fulfilling the Center’s mission of making the performing arts available to everyone. It has proven to be a perfect representation of the diverse and multifaceted performing arts offered by the Kennedy Center, with such past performers as Gladys Knight, Christoph Eschenbach, Aaron Goldman, Manzari Brothers, Norah Jones, Aretha Franklin, India.Arie, Circo Para Todos, Phil Wiggins, Smokey Robinson, and Kailash Kher & Kailasa.

In the past two decades, more than three million audience members from the D.C. area, across the U.S., and around the world have attended a Millennium Stage performance, with countless others experiencing these shows via the live stream. This special event is part of JFKC: A Centennial Celebration of John F. Kennedy, the Kennedy Center’s yearlong programming initiative marking the 100th anniversary of John F. Kennedy’s birth and legacy, inspired by five ideals frequently attributed to America’s 35th President:Courage, Freedom, Justice, Service, and Gratitude. JFKC programming continues through the end of 2017.

“All of us at the Kennedy Center are incredibly grateful to our audiences for their enthusiastic support of Millennium Stage. In the past two decades more than 7,000 artists from across the globe have been presented, representing a diverse breadth of genres from established artistic traditions to the latest frontiers of performance,” said Deborah F. Rutter, President of the Kennedy Center. “Jim Johnson had a vision for what accessibility to the arts might look like. What resulted in our beloved Millennium Stage 20 years ago was brilliant and ahead of its time.”

The night will kick-off at 5:00 p.m. with a happy hour in the Grand Foyer, featuring half price beer and house wine. The first 1,000 guests at the happy hour will receive a special commemorative Millennium Stage 20th Anniversary t-shirt. Performances begin at 6:00 p.m. with Scythian, a band that plays roots music from Celtic, Eastern European, and Appalachian traditions with a thunderous energy that beckons crowds into a barn-dance, rock concert experience. Immediately following, at 7:00 p.m., the party will continue with Big Sam’s Funky Nation, a group of world-class musicians that are a driving force of urban funk, melding funk, rock & roll, Hip Hop, and jazz, gluing everything together with a brassy influence. For more information, visit tkc.co/mstage.

Event: 9^th Annual DC-CAPital Stars: The Music of Prince

Date:  March 29, 2017 (Wednesday)

Time: 7:00 pm – 9:30 pm

Location: The John F. Kennedy Center for the Performing Arts, Eisenhower Theater, 2700 F St NW, Washington, DC 20566

An evening of inspiration, the 9^th Annual DC-CAPITAL Stars: The Music of Prince rolls out the red carpet to showcase the outstanding artistic abilities of college-bound students from DC public and public charter schools.This glittering “American Idol”-style talent and scholarship award event attracts over 1,000 guests, award-winning celebrity judges, and prominent civic leaders to support education through the Arts. A celebratory reception with live music and dancing follows the show. Proceeds benefit the DC College Access Program, a nonprofit organization dedicated to helping DC public and public charter school high school students prepare for, enroll in and graduate from college.

Ticket Price: Performance plus gala reception: $500 ($350 is tax-deductible)

Event website:  www.dccap.org/gala

Event Honoree: The evening is dedicated to The Boeing Company for their unwavering commitment to education and District of Columbia students.

Host Committee Chair: Ted Leonsis, DC-CAP Board Chair

Thursday, March 30, 2017, 5:30-8:30 p.m.

This illustrated lecture will explore the historical and political context of American-Russian relations during Henry Middleton’s post as American Minister to Russia in the 1820s and 30s.

$30, $20 Hillwood member, $20 student

www.HillwoodMuseum.org

4155 Linnean Avenue, NW, Washington, DC 20008

Wednesday, April 12 (7 p.m.)
“54” (Miramax, 1998, R-rated*)
An American drama film written and directed by Mark Christopher about Studio 54, a world-famous New York City disco club.

Events are free and open to the public. Free tickets are required for admission to all activities. Tickets will be available beginning at 10:00 a.m. on March 30at this website. A limited number of press credentials will also be available for reservation. The deadline to reserve credentials for lectures, the symposium, and the dance party is Friday, April 28. Some of the events will be live-streamed on the Library’s Facebook page at facebook.com/libraryofcongress and its YouTube channel at youtube.com/LibraryOfCongress. All programs will take place at the Library’s Thomas Jefferson Building, 10 First St. S.E., or at its James Madison Memorial Building, 101 Independence Ave. S.E., both in Washington, D.C.

The excitement can be followed on Twitter at @librarycongress and #LCDisco.

As much as Jonathan Larsen’s unprecedented Pulitzer Prize-winning musical Rent impacted popular culture, it also transformed the lives of the actors that embodied a group of young friends trying to forge a life for themselves in New York’s bohemian East Village. 20 years after Rent’s Broadway debut, original cast members Adam Pascal & Anthony Rapp reunite at the Music Center at Strathmore on Friday, April 28, 2017 at 8 p.m. to commemorate this cultural touchstone and 20 years of friendship. The concert of duets and solos will include originals, reimagined Broadway classics, and favorites from Rent. For more information or to purchase tickets, call (301) 581-5100 or visit www.strathmore.org.

Throughout the set, the duo will share stories about their careers, including what it was like working on one of the longest running musicals in Broadway history. Rent has proved a thread throughout their careers that has periodically brought the two back together—prior to the 20^thanniversary concert tour, both reprised their Rent roles during the national tour in 2009.

Tony-nominated Adam Pascal recently returned to Broadway’s Nederlander Theater, where Rent lived for years, in the new musical Disaster! Since his days playing Roger in Rent, Pascal has starred in Aida, Chicago, and Memphis. He is currently playing Shakespeare in the national tour of Something Rotten!

After originating the role of Mark in Rent, Anthony Rapp went on to originate another character in If/Then alongside previous Rent co-star Idina Menzel, which debuted at Washington, D.C.’s National Theatre. He wrote the book Without You: A Memoir of Love, Loss, and the Musical Rent, about the demands of life in the theater during his mother’s battle with cancer, which he later adapted into a one-man show. It was recently announced that Rapp will star as “astromycologist” Lt. Stamets in Star Trek: Discovery for CBS All Access, the first series developed specifically for this platform and the first Star Trek series since Star Trek: Enterprise (2005). Stamets is also the first openly gay character conceived for the Star Trek franchise.

PAUL D. MILLER aka DJ SPOOKY: REBIRTH OF A NATION
Tuesday, May 23, 2017, 8 p.m.

By Paul D. Miller aka DJ Spooky

Featuring Sound Impact

Eisenhower Theater–from $19

Conceived as a reimagining of director D.W. Griffith’s infamously racist 1915 silent film, The Birth of a Nation, DJ Spooky’s Rebirth of a Nation is a culturally significant project that examines how “…exploitation and political corruption still haunt the world to this day, but in radically different forms.” Today, more than a century since the release of The Birth of a Nation, the project continues to be presented internationally, engaging audiences in themes of civil rights and freedom, seen through the lens of DJ Spooky’s unique art of remixing. Dr. King once said that “the arc of the moral universe is long, but it bends toward justice”—one of the drivers behind Miller’s work is influenced by this. “I try to give people thought tools for mindfulness, or for thinking about the patterns we inhabit as not fixed of locked down, but changeable. It’s the beauty of that, which makes life worth living.” The Kennedy Center debut of Rebirth of a Nation is a multimedia performance featuring a string quartet from D.C.-based music ensemble Sound Impact. Two violins, a viola, and a cello will accompany three screen video projections, controlled live on stage by DJ Spooky.

THE WASHINGTON BALLET
Frontier

Thursday, May 25–27, 2017, 7:30 p.m.
Opera House-from $25

The Washington Ballet, in a self-presentation at the Kennedy Center, has independently commissioned Frontier, choreographed by former American Ballet Theatre principal dancer Ethan Stiefel, inspired by President Kennedy and his aspirations for America as a leader of artistic, cultural, and intellectual excellence. His historic May 25, 1961 “Urgent Needs” address to the United States Congress serves as the impetus for this work. The seminal speech launched what became a legacy in U.S. space travel and exploration. Stiefel investigates space exploration through the perspective of the astronaut, delving into the emotional and physical rigors required for space travel. While Kennedy used space as a model for national achievement, Stiefel uses his art as a conveyance for this message and for Kennedy’s affirmation that America must fulfill a desire to achieve and be exceptional in the arts.

THE WASHINGTON BALLET
Frontier

Thursday, May 25–27, 2017, 7:30 p.m.
Opera House-from $25

The Washington Ballet, in a self-presentation at the Kennedy Center, has independently commissioned Frontier, choreographed by former American Ballet Theatre principal dancer Ethan Stiefel, inspired by President Kennedy and his aspirations for America as a leader of artistic, cultural, and intellectual excellence. His historic May 25, 1961 “Urgent Needs” address to the United States Congress serves as the impetus for this work. The seminal speech launched what became a legacy in U.S. space travel and exploration. Stiefel investigates space exploration through the perspective of the astronaut, delving into the emotional and physical rigors required for space travel. While Kennedy used space as a model for national achievement, Stiefel uses his art as a conveyance for this message and for Kennedy’s affirmation that America must fulfill a desire to achieve and be exceptional in the arts.