The Shakespeare Theatre Company, recipient of the 2012 Regional Theatre Tony Award®, presents its Annual Dinner and Mock Trial at Sidney Harman Hall(610 F Street NW) on Monday, May 11, 2015. This marks the 20th year that Shakespeare Theatre Company has put on the Mock Trial. The evening begins with dinner at 5:30 p.m. in the Forum, followed by the Trial at 7:30 p.m. in the theatre. A special session of the Supreme Court of La Mancha will review the decisions of the Family Court to declare Don Quixote mentally incompetent and his subsequent placement under the guardianship of his niece, Antonia.
Justice Ruth Bader Ginsburg will preside and will be accompanied by Justice Stephen Breyer, as well as Chief Judge Merrick Garland and Judge Patricia Millett, both of the U.S. Court of Appeals for the D.C. Circuit, and Judge Amy Berman Jackson of the U.S. District Court for the District of Columbia. Tom Goldstein of Goldstein & Russell P.C. andCarter Phillips of Sidley Austin LLP will argue the case. The Trial will be moderated byAbbe D. Lowell of Chadbourne & Parke LLP, chair of the STC Bard Association and STC Board of Trustees member.
Michael Kahn, Artistic Director of Shakespeare Theatre Company says of Mock Trial, “As I’ve often said, Shakespeare doesn’t tell us what to think, he tells us what to think about. This is what Mock Trial does so stunningly, it uses these classic stories as lenses to look at seemingly old issues and bring them to our modern, and legal, world.”
Shakespeare Theatre Company’s Mock Trial is sponsored by the Bard Association, STC’s affinity group for Washington’s legal community.
Since 1994, the Shakespeare Theatre Company has hosted a Mock Trial based on a play from STC’s mainstage season. The fictional court case poses a legal question, or questions, and the audience must act as the jury to decide the fate of the characters. The Trial aims to examine the links between classic works and contemporary legal theory in a way that is both thought-provoking and entertaining. Past Mock Trials have explored whether Malvolio (Twelfth Night) was entitled to damages for wrongful imprisonment; Iago (Othello) was guilty of the murders of Desdemona and Othello; Hamlet (Hamlet) was insane when he murdered Polonius; and if Sir John Falstaff (Henry IV) should have been compensated for his services to Prince Hal and reinstated as a member of the royal court. Last year’s Mock Trial concentrated on the characters in William Shakespeare’s Measure for Measure and argued whether the Duke of Vienna should be held responsible for abuses of power perpetuated by his appointed representative, and debated issues of illegal secret surveillance, false imprisonment, negligent appointment of an unfit deputy, and disrespect of commitment to religious vows.
This season’s Mock Trial focuses on the characters in Dale Wasserman’s Man of La Mancha and asks the question: Did the Family Court commit reversible errors of law and fact in determining that Don Quixote was mentally incompetent, and should the Family Court have appointed Sancho Panza, Don Quixote’s loyal friend, as his guardian, rather than his niece Antonia?
SCENARIO
As word spread of Alonso Quixana’s (self-named and known to the world as Don Quixote) exhibited signs of mental illness or incompetence, his niece Antonia petitioned the Family Court to appoint her to be his guardian to protect his financial interests and to make medical decisions for him. In support of her petition, Antonia described Don Quixote’s hallucinations, his instigation of ill-conceived and ill-fated battles, his unwitting contribution to the brutal treatment of Aldonza, and his persistent inability to separate reality from illusion. Antonia stated that Don Quixote was unable to manage his assets, pay his medical expenses, or make financial decisions in his own best interests, and that he had been the victim of financial exploitation without even realizing others were taking advantage of him. Antonia’s fiancé, Dr. Carrasco, provided a petition of incompetency claiming to be Don Quixote’s treating physician and asserting that Don Quixote’s mental disability was permanent and that he had no ability to understand the nature of the proceedings or reasons for appointment of a guardian.
The Family Court heard extensive testimony about Don Quixote’s ill-fated escapades during his career as a knight errant, about his discussion of his “dreams,” his tendency to burst into song, and his claims of being a knight. His friends testified about Don Quixote’s idealism, courtesy, generosity, gallantry, and nobility. Sancho Panza said Don Quixote knew he was not really a knight, but simply liked to conceive of a nobler world inspired by courtesy and bravery. Don Quixote’s attorney argued that he did not need a guardian, but that if the Court disagreed, it should appoint Sancho Panza, not Antonia.
The Family Court appointed Antonia as Don Quixote’s guardian. On petition for review by the Supreme Court of La Mancha, Don Quixote has asked the Court to decide two questions:
1. Did the Family Court commit reversible errors of law and fact in determining that Don Quixote was mentally incompetent within the meaning of the laws governing appointment of guardians of property and persons?
2. Assuming Don Quixote was not fully competent to manage his affairs or make decisions about his medical treatment, should the Family Court have rejected Antonia’s petition as motivated by fraud and self-interest, and instead have appointed Sancho Panza, Don Quixote’s loyal friend, as his guardian?
TICKET INFORMATION
Interested in Premium Seating and Dining with the Participants before the Trial?Tickets to the Dinner and Trial ($350) are available now. To purchase tickets please call 202.547.3230 ext. 2330 or contact MockTrial@ShakespeareTheatre.
Trial-only Ticket Prices
A Price: $75
B Price: $50 (limited availability)
Student: $20 (valid student ID required when picking up tickets)
Tickets on sale for STC donors and season subscribers on March 18 at noon.
Tickets for the general public on sale March 23 at noon.
For more information please contact MockTrial@ShakespeareTheatre.
On Monday, June 15, 2015, Will on the Hill, a favorite bipartisan event of theatre and political fans alike, returns to the Shakespeare Theatre Company. Now in its thirteenth year, this year’s event features a performance of Midsummer Madness,an original play by Peter Byrne, and directed by STC Associate Artistic Director Alan Paul.The cast will include special guest performer, STC Affiliated Artist Edward Gero andSamira Wiley, known for her role in Orange is the New Black.
The annual Will on the Hill event welcomes Members of Congress from both sides of the aisle and distinguished Washington insiders onto the Shakespeare Theatre Company stage to perform a political satire infused with Shakespearean language and references. The event pays tribute to the unique dynamic of our city and provides a wonderful way to engage new audiences. Proceeds from this event support STC’s many education, artistic, and community engagement programs including in-school workshops and online learning resources that inspire new and diverse audiences and deepen the connection to classical theatre in learners of all ages. Will on the Hill will take place in Sidney Harman Hall (610 F Street NW), and begins with a VIP cocktail reception at 6:30 p.m., followed by the performance at 7:30 p.m., and a buffet dinner immediately after the performance.
This year’s cast for Will on the Hill will include guest actors Samira Wiley and Edward Gero. Wiley is a TV and film star and a graduate of the Julliard School, best known for her starring role as inmate Poussey Washington on the hit Netflix series Orange is the New Black. Gero has been a prominent figure in the Washington theatre community and STC Affiliated Artist has appeared in more than 70 roles on the STC stage, most recently as King Henry IV in Henry IV, Parts 1 and 2. He recently created the role of Justice Antonin Scalia in the world premiere of John Strand’s The Originalist.
In addition to Midsummer Madness, the evening includes a performance from students inText Alive!, a free arts integration program offered by STC to D.C. area schools, which teaches Shakespeare’s plays through performance and adaptation. This year, students from Virginia’s West Springfield High School present their disco-style take on the wrestling scene from As You Like It, which was performed earlier this spring for the Duchess of Cornwall during her visit to the Shakespeare Theatre Company.
About Midsummer Madness: Summer in Washington finds two lobbyists, one male, one female, vying for a job at the prestigious lobbying firm Stratford, Avon and Bard. Each thinks the other has the advantage due to their gender, so their interviewer puts them to the task of solving some of their clients’—and Washington’s—biggest conflicts. Things do not go as planned, however, as Shakespeare’s heroes and heroines emerge to join the fray. The battle of the sexes is far from over…
Many members of Congress will join Edward Gero and Samira Wiley on the STC stage, including Senators Chris Coons (D-DE) and Patrick Leahy (D-VT), and Representatives Joyce Beatty (D-OH),Suzanne Bonamici (D-OR), Gerry Connolly (D-VA), Susan Davis(D-CA), Ted Deutch (D-FL), Donna Edwards (D-MD), Janice Hahn (D-CA), Jim Himes(D-CT), Alan Lowenthal (D-CA), Carolyn Maloney (D-NY), Jim McDermott (D-WA), Jim Moran (D-VA), Eleanor Holmes Norton (D-DC), Jared Polis (D-CO), Charles Rangel (D-NY), Elise Stefanik (R-NY), Dina Titus (D-NV), Mike Turner (R-OH), and Ryan Zinke (R-MT).
Other illustrious cast members include The Honourable Ian Liddell-Grainger (MP for Bridgwater and West Somerset), Christina Sevilla (DA U.S. Trade Representative, Executive Office of the President); and members of the media, including Jonathan Allen(Vox), Ron Christie (CEO Christie Strategies), Steve Clemons (Washington Editor-at-Large, The Atlantic, National Journal, Quartz), Bob Cusack (Editor in Chief, The Hill), Rich Edson (Fox News), Amy Holmes (The Blaze TV), Rick Klein (ABC News’ Political Director), Latoya Peterson (Fusion), Thomas Rogan (Tom Rogan Thinks), Robert Siegel(NPR’s All Things Considered), Pamela Lynne Sorensen (Pamela’s Punch), and Kelly Jane Torrance (The Weekly Standard).
The Honorary Co-Chairs for the event are Speaker John A. Boehner (R-OH), The Honorable James E. Clyburn (D-SC), House Minority Whip Steny Hoyer (D-MD) andU.S. Senate Democratic Leader Harry Reid (D-NV).
* Cast members subject to change.
A select number of performance-only tickets to this popular event are available online atwww.shakespearetheatre.org/
Just in time for this fall’s political cycle, piano-playing political satirist Mark Russell returns to Ford’s Theatre (511 Tenth Street NW) for one night only, Monday, October 19, 2015, at 7:00 p.m. With material ripped from today’s headlines, Russell’s unique brand of comedy earned him the Mark Twain Award for political comedy and made him a popular favorite on PBS.
Tickets for An Evening with Mark Russell range $20 to $64, and are available to Ford’s Theatre Members and groups (15 or more) on August 3, at 10:00 a.m. Tickets go on sale to the general public on August 17, at 10:00 a.m. Tickets may be purchased in person at the Ford’s Theatre Box Office (511 Tenth Street NW, Washington, DC), through Ticketmaster at (800) 982-2787 or online at www.fords.org/event/evening-mark-russell(fees apply). Groups of 15 or more may reserve tickets online at www.fords.org/groups.
7 a.m., 8 a.m. Lattes with Lincoln
Get caffeinated with the 16th commander-in-chief and learn how legislation signed by Abraham
Lincoln during the Civil War is considered by many to be the birth of the National Park System!
Meet the park ranger at the kiosk at 10 Henry Bacon Drive (north of the memorial).
9 a.m. – 11 a.m. Living National Park Service Emblem
Be a part of the world’s largest National Park Service emblem created on the grounds of the
Washington Monument on our 100th birthday! More than 1,000 participants will be assembled
into a living Arrowhead using brown, green and white umbrellas; once the Arrowhead is formed,
an aerial photograph will be taken and shared with participants on the National Mall and
Memorial Parks website and social media pages. The first 1,000 participants to check-in will
receive a t-shirt commemorating their participation in this historic event, as well as get to keep
their umbrella. Assemble at 9 a.m. on the west side of the Washington Monument grounds.
5 p.m. to 10 p.m. Celebrate 100 Years with Music, Comedy and Beers
Join the National Park Service for a hip, high-energy evening program and beer garden featuring
live entertainment celebrating the centennial of the National Park Service. Comedian Ryan
Singer emcees a line-up that includes D.C. power pop band Jukebox the Ghost, Baltimore
alternative rock band The Last Year, and comedian Yoram Bauman. Enjoy refreshments in the
beer garden (21+ only). Gates open at 5 p.m., entertainment starts at 6 p.m.
Just in time for this fall’s political cycle, piano-playing political satirist Mark Russell returns to Ford’s Theatre (511 Tenth Street NW) for one night only, Monday, September 19, 2016 at 7:00 p.m. With impeccable timing, twinkling eyes and shock-of-recognition insights into American politics, Russell draws from material ripped from daily headlines. Russell’s unique brand of comedy earned him the Mark Twain Award for political comedy and made him a popular favorite on PBS.
Tickets for An Evening with Mark Russell: I’m So Mad I Could Sing! range $18 to $67, and are available atwww.fords.org. This performance is recommended for ages 16 and older.
MARK RUSSELL
Long before Jon Stewart and Stephen Colbert, Mark Russell dared to joke and sing about the often-absurd political process. Though he actually knew little about politics when he began performing, his ability to find humor in anything made him an immediate hit. After serving in the Marines, Russell began playing at a piano bar on Capitol Hill before he earned a 20-year stint at the Shoreham Hotel. Russell’s television credits include nearly 30 years on public television on the eponymous Mark Russell Comedy Specials. His composing credits include two children’s musicals for the Kennedy Center: Teddy Roosevelt and the Ghostly Mistletoe (premiered December 2009) and Teddy Roosevelt and the Treasure of Ursa Major (2006).
Reading three or four newspapers a day allows him to constantly update his material. The result is that no two shows are ever identical. “I thrive on newspapers,” he frequently states. “And it looks like I’ll be thriving longer than them.” Russell performs annually at colleges, conventions and theatres, including frequent visits to Ford’s Theatre. He and his wife live in Washington. Russell is the father of three and the grandfather of seven.
Ford’s Theatre Society
One of the most visited sites in the nation’s capital, Ford’s Theatre reopened its doors in 1968, more than a hundred years after the assassination of President Abraham Lincoln. Operated through a partnership between Ford’s Theatre Society and the National Park Service, Ford’s Theatre is the premier destination in the nation’s capital to explore and celebrate Abraham Lincoln’s ideals and leadership principles: courage, integrity, tolerance, equality and creative expression.
The Ford’s Theatre Society was founded under the guidance of executive producer Frankie Hewitt, who, during her 35-year tenure, established Ford’s as a living, working theatre producing performances that highlighted the diversity of the American experience. Since the arrival of Paul R. Tetreault as Director, critics and the theatregoing public have recognized Ford’s for the superior quality of its artistic programming. With works from the nationally acclaimed “Big River” to the world premieres of “Meet John Doe,” “The Heavens Are Hung In Black,” “Liberty Smith,” “Necessary Sacrifices,” “The Widow Lincoln” and “The Guard,” Ford’s Theatre is making its mark on the American theatre landscape. In the last decade, the mission of Ford’s Theatre Society expanded to include education as a central pillar. This expansion led to the creation and construction of the Center for Education and Leadership, which opened in February 2012. Currently, under the leadership of Board of Trustees Chairman Eric A. Spiegel, the Society is building Ford’s Theatre into a national destination for exploring Lincoln’s ideas and leadership principles and finding new ways to bring Lincoln’s legacy to life for the 21st-century learner.
On Monday, February 27, the Edlavitch DCJCC will screen Get In The Way, The Journey of John Lewis, a biographical film about the revered civil rights leader and U.S. Congressman. The movie focuses on Lewis’ leadership in the peaceful protest movement that sought voting rights for African-Americans in the South.
Congresswoman Eleanor Holmes Norton will speak to the audience following the film about civil rights, human rights, and her experiences working with Lewis as the District’s representative for fourteen terms.
This screening is the second film in a three-part series called “Race, History and Community: A Series Focusing on Race and Justice in America.”
DATE: Monday, February 27, 2017
TIME: 7 p.m. – 9 p.m.
LOCATION: Edlavitch DCJCC, 1529 16th Street NW, Washington, DC 20036
WHAT: Film Screening: Get In The Way, The Journey of John Lewis
Presentation by Congresswoman Eleanor Holmes Norton
The Edlavitch DCJCC is presenting this film series in partnership with the Jewish Community Relations Council of Greater Washington, the American Jewish Committee (AJC), the Anti-Defamation League (ADL), the Adas Israel Congregation Racial Justice Working Group, and Sixth & I.
Ticket Info: $13.50
Program and ticket details available here
