The University of Virginia Club of Washington DC will hold its Final Four Watch party at Mission Navy Yard on Saturday.
Starting at 11 am, the two-level enormous bar and restaurant located across from Nats Stadium will have beverage and food specials for the Virginia Cavaliers/Virginia Hoos fans.
$5.50 16 oz. Bud Light
$25 for a bucket (5) Bud Lights
$5 El Jimador shots
$6 Jack Daniels and Jack Honey
$3 Chorizo Sliders
Mission Navy Yard
1221 Van Street SE (across from the center field entrance to Nats Stadium)
The Choral Arts Society of Washington’s Chamber Singers and Youth Choir, together with the New Orchestra of Washington (NOW) and the Aeolus Quartet, will immerse their audience with soundscapes and projections in a subterranean musical experience for Into the Light. Presented on Friday, April 5th and Saturday, April 6th at 8:00pm at Dupont Underground, this unique concert will make use of the shimmering acoustics of the space. The program will present Steve Reich’s Different Trains, a choral and double string quartet arrangement of Samuel Barber’s Adagio for Strings, and a new piece by Choral Arts’ Artistic Director Scott Tucker inspired by the acoustics of the venue, amongst others.
The performance will use the entirety of the Dupont Underground, a former belowground streetcar station which has been transformed into a public artspace. The setting will be particularly apt for the presentation of Reich’s Different Trains, a three-movement piece composed for string quartet (Aeolus Quartet, NOW’s Quartet-in-Residence) and sound effects, inspired by Reich’s train travel while living as a young American Jew during the time of the Holocaust.
For this production, the performers will begin on one end of the underground space and gradually move toward the other, emphasizing the transition from darkness into light. Simultaneously, lighting effects and projections by Production Designer JD Madsen will reflect on the musical content. Further immersing the audience, movable barriers will be used to guide the audience through the performance space.
In addition to Reich’s Different Trains, the concert will present works by Hildegard von Bingen, Gregorio Allegri, Samuel Barber, Ben Parry, R. Murray Schafer, Sarah Hopkins, and Knut Nystedt. Scott Tucker’s latest composition, The Moon and Her Maidens is inspired by the acoustics of the Dupont Underground and composed to pair with R. Murray Schafer’s Epitaph for Moonlight .
“I have been looking for opportunities to present choral music in a more interactive and immersive way,” says Choral Arts Artistic Director, Scott Tucker. “We visited Dupont Underground soon after it opened. The acoustics of the space, and the theme of light and darkness are what inspired the musical program. The collaboration with Jay Brock (Production Director) and JD Madsen (Production Designer) have helped us create a full-sensory experience that will allow the audience to engage with the music with more intensity than they would find in a traditional concert.”
“We are thrilled to bring together so many organizations and artists we have long admired for this unique collaboration,” says Tad Czyzewski, Choral Arts Executive Director, of the collaboration with NOW and the Aeolus Quartet.
More information and tickets ($20) can be found online at https://choralarts.org/events/
When Lisa Fischer last performed at Strathmore she brought the house down to a thunderous standing ovation. Fischer and her band return to Strathmore, this time for a fully orchestrated performance. Featured in the Oscar-winning documentary film 20 Feet from Stardom, Fischer stepped into the spotlight after a successful career as a back-up singer for the likes of the Rolling Stones and Sting. This special evening brings together Fischer and her band, Grand Baton, with musicians from the National Philharmonic to perform powerful renditions of pop favorites by Luther Vandross, Tina Turner, the Rolling Stones, and Sting.
Share Our Strength’s No Kid Hungry campaign invites Washington D.C., Maryland and Virginia residents to sip and sample creations from area’s most celebrated restaurants to help kids in need at this year’s Taste of the Nation for No Kid Hungry on Monday, April 8, 2019. Hosted at the National Building Museum, the annual tasting event will feature gourmet cuisine and libations crafted by the city’s hottest chefs, sommeliers and mixologists, uniting to raise funds to ensure all children in America have access to the healthy food they need, every day. One-hundred-percent of proceeds from the event benefit No Kid Hungry’s work to end childhood hunger in America.
Led by Chef Chair Mike Friedman (The Red Hen, All-Purpose), Pastry Chair Tiffany MacIsaac (Buttercream Bakeshop), Mixology Chair Gina Chersevani (Buffalo and Bergen, Suburbia), and Sommelier Chair Nadine Brown (Society Fair), D.C.’s culinary tastemakers will provide guests with scrumptious bite-size fare, craft cocktails and delectable desserts. Guests will also have a chance to participate in an intimate tasting with Chef Kwame Onwuachi (Kith and Kin, Philly Wing Fry) and Chef Tae Strain (Momofuku CCDC), and score hot items at the silent auction and “Giving Tree”.
Notable participating Washington, D.C. area culinary talent and eateries include:
All-Purpose | Al Dente | Art & Soul | Barrel | Beuchert’s Saloon | Buffalo and Bergen | Bombay Street Food | Buttercream Bakeshop | Captain Cookie and the Milkman | Cava Mezze | Coconut Club | Colada Shop | Compass Rose | Espita Mezcaleria | Estadio | Farmers & Distillers | Firefly | Georgetown Cupcake | The Green Zone | Hank’s Oyster Bar | I’m Eddie Cano | Jack Rose Dining Saloon | Junction Bakery & Bistro | Kith and Kin | Kuya Ja’s | McClellan’s Retreat | Matchbox Vintage Pizza Bistro | Mi Vida | Milkbar | Momo Yakitori | Momofuku CCDC| Nama Sushi | Osteria Morini | Ottoman Taverna | Oyamel | Pisco y Nasca Ceviche Gastrobar | Radiator | Rappahannock Oyster Bar | RARE Steakhouse | RASA | Royal | Shake Shack | Society Fair Spoken English | Stellina Pizzeria | Succotash Penn Quarter | Sweet Lobby | The Delegate | The Pub and the People | The Source | Tico | Truxton Inn
One in six children in America struggles with hunger, including nearly 27,000 kids in the District of Columbia. No Kid Hungry is ending childhood hunger nationwide by ensuring that kids start the day with a nutritious breakfast and families learn the skills they need to shop and cook on a budget. Since the campaign’s launch, No Kid Hungry and its partners have connected kids struggling with hunger to more than one billion meals.
In 2018, D.C.’s Taste of the Nation for No Kid Hungry raised enough to connect hungry kids in need with up to 2.5 million healthy meals. Local beneficiaries include Capital Area Food Bank, DC Hunger Solutions, and Mary’s Center.
D.C.’s Taste of the Nation for No Kid Hungry is supported by national co-presenting sponsors Citi and Sysco®, national media sponsor Food Network, and national sponsor OpenTable. Whole Foods Market is the Official Grocer Sponsor of D.C.’s 2019 Taste of the Nation and will be providing samples alongside their local vendors. This event is also made possible by the following local sponsors: Caledonia Spirits, Catoctin Creek, Chrysler Pacifica, Ecolab, Flying Dog Brewery, MacRostie Winery and Vineyards, Rémy Cointreau and Tito’s Handmade Vodka.
Taste of the Nation for No Kid Hungry tickets start at $100, with prices increasing a month prior to the event on March 8, 2019. For additional information and to purchase tickets, please visit: https://www.nokidhungry.org/tastedc.
This Tony and Emmy Award-winning actress and singer delights audiences in every show and role, from film and television to voiceover and stage. The public fell in love with her as Sally in You’re a Good Man, Charlie Brown, Glinda in Wicked, and in fabulous roles on West Wing, Glee, and Pushing Daisies, but it’s Chenoweth’s gorgeous jazz standards, gospel songs, and opera works that fill concert halls with her loyal fans time and again. She will perform from her latest release of American Songbook classics, The Art of Elegance, which debuted at #1 on Billboard’s Current Jazz and Traditional Jazz charts, and #1 on Amazon’s Vocal Pop chart. No stranger to the Music Center stage, Chenoweth starred in Strathmore’s groundbreaking production I am Anne Hutchinson/I am Harvey Milk in 2016.
WHAT: The world premiere of the new series ‘Guess I’m a Ghost’ at DC Webfest as part of their American Web Series Watch Party block.
Guess I’m a Ghost is a comedy web series in eight episodes that explores coming to terms with your past mistakes, making amends, and how we both perform ourselves and find out about death through social media. Tonally, the series is a mix between High Maintenance and The Good Place. Using both naturalistic and absurd comedy, the show looks to see how we grieve over imperfect people we think we knew, but maybe didn’t at all. Diane…wasn’t the best friend. She liked to bend the truth and look out for number one. After embarrassing herself at a party, she’s killed in a ride-share accident when climbing into the front seat to charge her phone. Then, because of a mistake in the afterlife, she’s sent back to earth and forced to haunt those she could’ve treated a little better, and might owe her an apology themselves. The series features an original score by Leslie Hong of Haybaby, and will be released in full online on April 29th, following a screening in Los Angeles on April 27th.
WHEN: Saturday, April 13th at 6:00pm
WHERE: MakeOffices Glover Park – 2201 Wisconsin Ave. Suite #200 Washington DC 20007
HOW: Festival programming passes start at $45
Yoga enthusiasts are getting ready to stretch as they listen to The American Pops Orchestra perform selections of early American folk music. Instructor Michael Peterson will guide attendees on a 70-minute journey through yoga and meditation on Saturday, April 13, beginning at 6 p.m. at the Arena Stage at the Mead Center for American Theater-Molly Smith Study, 1101 Sixth St., SW, Washington, D.C.
Tickets are available at http://bit.ly/APOyoga
Known as the king of the rant, DMV native Lewis Black uses his trademark style of comedic yelling and animated finger-pointing to skewer anything and anyone that gets under his skin. His comedic brilliance lies in his ability to make people laugh at the absurdities of life, with topics that include current events, social media, politics, and anything else that exposes the hypocrisy and madness he sees in the world. “Back in Black,” Black’s regular segment on The Daily Show, is one of the most popular and longest-running segments on the show for both the Jon Stewart era, and now The Daily Show with Trevor Noah. After completing studies in drama, Black’s career began as a playwright-in-residence in New York City’s West Bank Café Downstairs Theater Bar. He also emceed every show, honing his stand-up skills enough to take his show on the road.
Comedian Lewis Black has been added to Strathmore 2018-2019 Season, performing in the Music Center on Sunday, April 14, 2019 at 8 p.m. Known as the king of the rant, Black uses his trademark style of comedic yelling and animated finger-pointing to skewer anything and anyone that gets under his skin. His comedic brilliance lies in his ability to make people laugh at the absurdities of life, with topics that include current events, social media, politics, and anything else that exposes the hypocrisy and madness he sees in the world. For more information call (301) 581-5100 or visitwww.strathmore.org.
Tickets to this show will go on sale to the general public Friday, October 26,2018 at 10 a.m.
Born in Washington, D.C. in 1948, Black was raised in Silver Spring, MD. Colicky as a baby, he was destined to be angry and easily irritated. His mother, a teacher, and his father, a mechanical engineer, instilled the importance of education and the necessity to question authority—lessons that influenced Black throughout his life. He fell in love with the theatre at age 12, which led to pursuing a career in drama. Degrees followed from the University of North Carolina and Yale Drama School, with a stint in Colorado owning a theatre with a group of friends in the interim. During his tenure at UNC, Black ventured into stand-up, which was a steady presence as he pursued his career in theatre.
Black eventually settled in New York and became the playwright-in-residence at the West Bank Café’s Downstairs Theatre Bar. He oversaw the development of more than 1,000 plays, including works by West Wing creator Aaron Sorkin and American Beautywriter Alan Ball, as well as his own original works. In addition to overseeing the works on stage, Black emceed every show. As the West Bank grew, so did Black’s stand-up skills. He left the West Bank in the late 1980s to pursue stand-up full time.
In 1996, Black was tapped to create a weekly segment for Comedy Central’s The Daily Show. The segment, a three-minute rant about whatever was bothering him at the moment, evolved into Back in Black, becoming one of the most popular and longest-running segments on the show for both the Jon Stewart era, and now The Daily Show with Trevor Noah. Black has also taped four specials for the Comedy Central Presents series, co-created Last Laugh with Lewis Black, and presided over Lewis Black’s The Root of All Evil.
His first CD, The White Album, was released in 2000 to critical acclaim. Black followed with eight more albums—six under the Comedy Central Records label. He has received five Grammy nominations and two wins for his work; he won Best Comedy Album in 2007 for The Carnegie Hall Performance and again in 2011 for Stark Raving Black.
In 2009 Black filmed his first feature-length concert film, Stark Raving Black, at the Fillmore Theatre in Detroit. In 2011, he produced his second full-length concert, In God We Rust. In August 2013, Black recorded his ninth stand-up special, Old Yeller: Live At The Borgata.
Black has appeared on Larry King Live, Piers Morgan Tonight, Late Night with Jimmy Fallon, The Late Show with David Letterman, Late Night with Conan O’ Brian, and The Late Late Show with Craig Ferguson. Black has also had numerous appearances on CNN and MSNBC and has occasionally done the weather with Al Roker.
Black has also written three New York Times best-selling books and penned more than 40 plays, many of which have been produced around the country.
In 2006, he had a break-out year as an actor, co-starring with Robin Williams in Barry Levinson’s Man of the Year (Universal Pictures). He also appeared as “the fake dean of a fake college” in Steve Pink’s Accepted (Universal Pictures), and as the harried airport manager in Paul Feig’s Unaccompanied Minors (Warner Bros.). He lent his voice to Jimmy in Bob Saget’s parody, Farce of the Penguins (Thinkfilm).
In 2015, Black notably voiced the character “Anger” in the Academy Award winning animated film from Pixar, Inside Out, about an 11-year-old-girl who is wrestling with the emotions inside her head.
As a longtime mentor with the 52nd Street Project, Black was roasted in Charred Black 2007, which drew the largest fundraising numbers in the Project’s history. He’s a member of their advisory board, is co-chair of their capital campaign, and in 2000, the Ron Black Memorial Scholarship Fund was created in memory of his late brother. Black is also committed to raising funds for the Rusty Magee Clinic for Families and Health. He’s a strong supporter of both the Cystic Fibrosis Foundation and Autism Speaks, and was honored by The Brady Center for his commitment to ending gun violence. In 2012, he was honored by the ACLU of Georgia with their National Civil Liberties Award. At the Williamstown Theatre Festival, he established the William Foeller Fellowship, having taught and performed at the festival for more than a decade. Black also supports our military personnel and has performed in three tours with the USO.
Black resides in both Manhattan and Chapel Hill, NC. Still loyal to his alma mater, he’s worked with UNC students to create the Carolina Comedy Festival, a yearly festival that highlights performances and provides workshops and lectures for budding comics, writers, and performers.
OFERTÓRIO
CAETANO VELOSO
With Moreno, Zeca & Tom Veloso
For over 35 years, GRAMMY Award-winner Caetano Veloso has been a major musical, social, and cultural force in Brazil. The New York Times calls him “one of the greatest songwriters of the century.” Veloso’s latest project is a collaboration with his sons: Moreno, Zeca, and Tom. This legendary lineage performs an intimate, acoustic concert full of their favorite songs like “Um Canto de Afoxé Para o Bloco do Ilê,” and your favorite songs of Veloso’s like “Cucurrucucu Paloma,” “Sozinho,” and more. Veloso first became known for his participation in the Brazilian musical movement Tropicalismo, which encompassed theatre, poetry, and music in the 1960s, paving the way for pursuits in rock, pop, folk, and Bossa Nova.
