Early Music Seminar: Tastes of the Mediterranean
Led by Robert Eisenstein, this lively seminar offers a sneak peek at the upcoming concert Tastes of the Mediterranean: Music of 16th-Century Spain and Italy. Wine reception included.
Location: Folger Haskell Center
Hours: 6pm
Tickets: $20
Info: www.folger.edu/events or (202) 544-7077
O.B. HARDISON POETRY
Vinegar and Char: Verse from the Southern Foodways Alliance
Three poets from this culinary anthology, Sandra Beasley, Sean Hill, and Atsuro Riley, read work that delves into the shaping influence of history, culture, and identity—and celebrates the glory of food itself. This evening is in conjunction with Before ‘Farm to Table’: Early Modern Foodways and Cultures, a Mellon initiative in collaborative research at the Folger. Reception and book-signing to follow the reading.
Hours: 7:30pm
Tickets: $15
Info: www.folger.edu/poetry or (202) 544-7077
Shakespeare Theatre Company’s Artistic Director Michael Kahn invites theatre-lovers to a series of intimate conversations about life in the D.C. theatre scene as he prepares to retire from the STC stage. Open, unrehearsed, and off the record, invited speakers will swap anecdotes and share memories about Michael Kahn’s 33-years at Shakespeare Theatre Company. Following his career trajectory, the discussions will focus on three distinct eras in STC’s history by mapping D.C.’s changing theatre scene. The first Michael Kahn and Friends: Off the Record will focus on the formation of The Shakespeare Theatre Company in its first location: Folger Theatre (1986-1992).
On March 11, audiences are invited to join Michael and STC Affiliated Artists Edward Gero, Stacy Keach, Derek Smith, and Franchelle Stewart Dorn as they discuss their favorite performances onstage, backstage antics, and offstage tales. In 1986, shortly after The Shakespeare Theatre at the Folger was formed as a newly incorporated, not-for-profit institution separate from the Folger Shakespeare Library, Kahn became Artistic Director and guided the theatre into national prominence. The first three seasons included several landmark productions and garnered many Helen Hayes nominations. STC changed the cultural landscape of the nation’s capital with its first Free For All in 1991. More than 2,500 theatregoers watched each performance of The Merry Wives of Windsor under the stars at Carter Barron Amphitheatre. This annual tradition of free Shakespeare continues to this day and over 630,000 people have attended a performance during Free For All.
Future Michael Kahn and Friends: Off the Record events will focus on the Lansburgh Years (May 15) and the Harman Years (June 5). More details will be released soon.
Washington Performing Arts hosts its 2019 annual Gala & Auction on March 30, 2019 at the National Building Museum (401 F St. NW). Tickets begin at $750; Young Sponsor tickets (for guests 40 and under) start at $200. Tables start at $15,000.
This year’s Gala, “Sizzle & Swing,” is a grand celebration of the art of jazz, from the classic big-band era to today’s up-to-the-minute expressions, fitting perfectly with Washington Performing Arts’ stellar spring lineup of jazz programming from Chucho Valdés and Cécile McLorin Salvant to an all-star tribute to Glenn Miller.
Gala performers include:
- Vocalists Veronica Swift (familiar to Washington Performing Arts audiences through her work with Chris Botti and Wynton Marsalis) and Stephen Scott Wormley (an alumnus of the Washington Performing Arts Children of the Gospel Choir, recently seen in the D.C. area as one of the stars of Signature Theatre’s The Scottsboro Boys);
- Mars Urban Arts Initiative Ensemble-in-Residence DuPont Brass;
- The Washington Performing Arts Children of the Gospel Choir under the direction of Michele Fowlin; and
- The Sizzle & Swing Band
Gala guests will also be treated to a special preview of a newly commissioned transcription of a big band chart by Hazel Scott, the luminary American pianist, cultural icon, and civil rights advocate. This premiere anticipates Washington Performing Arts’ commemoration of Scott’s 100th birthday in 2020.
The Gala kicks off at 6:30 pm with cocktails and the Silent Auction, sponsored by Urban Winery, with the dinner and performance program starting at 8:00 pm. Stage, television, and film actress Tamara Tunie serves as the Master of Ceremonies for the evening. The Afterparty Speakeasy with DJ Dimmy is co-sponsored by Daimler and the Washington Performing Arts Junior Board.
“Washington Performing Arts has a long legacy of presenting both emerging and leading jazz musicians and amplifying jazz as a vital American art form,” said Washington Performing Arts President and CEO Jenny Bilfield. “Whether it is through our Capital Jazz program in partnership with D.C. Public Schools, master classes with artists like Cécile McLorin Salvant, or commissions by Wynton Marsalis and now this new arrangement of a Hazel Scott chart, Washington Performing Arts remains committed to spotlighting this vibrant genre in every dimension of our programs, onstage and off.”
All proceeds raised at the Annual Gala and Auction will support Washington Performing Arts’ arts education initiatives. These include Capital Arts Partnerships and the Embassy Adoption Program (both in partnership with the DC Public Schools); In-School Artist Residencies; the Washington Performing Arts Men, Women, and Children of the Gospel Choirs; master classes and lectures; and stipends for professional development teachers and Washington Performing Arts teaching artists.
The 2019 Gala Co-Chairs are Lyn & Barry Chasen and Tom Gallagher & Barbara Myers. The Junior Board Gala Chairs are Rebecca Allen, Cassidy Grunninger, and Wesley Thomas. The Washington Performing Arts Women’s Committee Gala Chair is Denise Rollins, and the Women’s Committee Silent Auction Chair is Njambi. The Gala Committee comprises Paul Ashe, C. Wallace DeWitt, Adam Farra, Jay and Robin Hammer, Susan Hepner, Jordan Hepner and Nina Damato, Margaret Hurwitz, Angela C.Y. King, Grace Lin, Christina Co Mather and Gary Mather, Haley Morrison, Michelle Nelson, Ami Scott and Lucius Outlaw, Jan and Marike Paulsson, Kerrien Suarez, Ebony Thomas, Lindsey Woody, and The Washington Performing Arts Women’s Committee.
For more information about Washington Performing Arts and the Annual Gala and Auction, visit www.washingtonperformingarts.
Washington’s only playwrights’ collective devoted exclusively to developing and producing new plays—will host its annual fundraiser, The Joint–on Sunday, March 31, at Rhizome DC.
The Joint will take over the rooms of the Rhizome art space, familiar to some as the setting of the 2017 environmental hit Hello, My Name Is… by Deb Sivigny. Throughout the house, installations, intimate performances, and interactive projects will delight attendees as they rewind to remember the past and fast forward to the future.
There will be opportunities to celebrate the current generation of the Welders as they offer the in-process work by the last two playwrights in the second round of Welders leadership. At the end of 2019, the current roster of Producing Playwrights will be turning the company over to a new group of artists: The Welders 3.0.
The soon-to-be-announced third generation of The Welders will be in attendance at The Joint along with the past and present generations. The evening will be a fun opportunity for theater fans to engage with the generative artists taking the production of their work into their own hands.
Don’t miss this spectacular art-house-party filled with connection, sneak peeks, and a celebration of three generations “passing it on.” Plus, the event will feature a fire pit, silent auction, tasty food, and punch from Drink Company, home to the 2017 Spirited Award winning “Best American Cocktail Bar” Columbia Room.
Tickets are available at: https://thejoint2019.
“The Arts, Identity and Societal Inclusivity” Pop-up exhibit and conversations organized by the Arts for Global Development, Inc aims at facilitating an open, safe and creative environment to talk about identity, diversity as well as those issues that communities tackle on a day to-day basis especially in the context of voluntary and involuntary mobility of millions of people who are scattered across the globe.
The arts provoke thoughts and encourage people to embark upon issues that are sometimes hard to come to terms with. Contemporary artists often examine their identities by using themselves or aspects of themselves as a starting point to tell a story or address a larger issue like “acceptance or belonging”. During this event, one such contemporary designer and a multidisciplinary researcher Neba will showcase her fashion-art pieces that introduce unique and spiritual methods and folk pieces from her ancestry and upbringing.
Along with Neba’s one day/pop up exhibition called “Feast”, the Sandy Spring Museum Director, Allison Weiss and Cameron Okeke from Urban Institute will be sharing their experiences of how they’ve used the arts, from communicating the stories of displaced people to building creative and safe places in broken communities around the US.
“We certainly live in interesting times where social tension is rising in this ongoing “us and them” discourse. With this event we aim tobring our community together and use creativity as a means to broaden our perspectives. We do hope the works and discussions will inspire and encourage everyone in taking actions that support inclusion, ” said Nil Navaie, the founder and president of Arts for Global Development, Inc.
“The Arts, Identity and Societal Inclusivity” Pop-up exhibit and conversations event will be held at the Fridge Arts Gallery (516 8th Street SE, Washington DC) on April 4th from 5:30 – 8 pm.
The event is free, however RSVPs are recommended via http://www.art4development.net/.
WHAT: The world premiere of the new series ‘Guess I’m a Ghost’ at DC Webfest as part of their American Web Series Watch Party block.
Guess I’m a Ghost is a comedy web series in eight episodes that explores coming to terms with your past mistakes, making amends, and how we both perform ourselves and find out about death through social media. Tonally, the series is a mix between High Maintenance and The Good Place. Using both naturalistic and absurd comedy, the show looks to see how we grieve over imperfect people we think we knew, but maybe didn’t at all. Diane…wasn’t the best friend. She liked to bend the truth and look out for number one. After embarrassing herself at a party, she’s killed in a ride-share accident when climbing into the front seat to charge her phone. Then, because of a mistake in the afterlife, she’s sent back to earth and forced to haunt those she could’ve treated a little better, and might owe her an apology themselves. The series features an original score by Leslie Hong of Haybaby, and will be released in full online on April 29th, following a screening in Los Angeles on April 27th.
WHEN: Saturday, April 13th at 6:00pm
WHERE: MakeOffices Glover Park – 2201 Wisconsin Ave. Suite #200 Washington DC 20007
HOW: Festival programming passes start at $45
Learn how the next generation of Baltimore’s artists and leaders are harnessing the power of creativity to tell their stories. As part of the day’s activities, attendees can create their own museum memes, buttons, and custom banners, learn how to screen print with Jubilee Arts: Youth in Business, and make a personalized zine with Baltimore Youth Arts. Special guests include the Enoch Pratt Free Library, Baltimore Ceasefire, and Open Works. Performances include screenings with Wide Angle Youth Media, musical ensembles with two Arts Every Day schools, and the Lethal Ladies of Baltimore Leadership School for Young Women step team.
The day’s festivities include Behind the Façade, a program of original monologues by Baltimore School for the Arts theater students. Performed in 1 West Mount Vernon Place, this performance brings to life the range of people, enslaved and free, who made Mount Vernon their home in the years before and after the Civil War.
Presented in collaboration with Arts Every Day. Special thanks to MECU of Baltimore and the Baltimore Office of Promotion & The Arts.
WHERE:
Walters Art Museum
600 North Charles Street
Baltimore, MD 21201
WHEN:
Saturday, April 27, 2019
11 a.m.–4 p.m.
Proceeds from Collector’s Night Art Sales are split 50/50 between the artists and WPA, whose share goes to supporting its artist driven programs through artist honoraria, travel, artwork production, and other direct program costs.
May 15, 2019
Sidney Harman Hall
8 p.m.
General Admission Tickets: $20
Student Tickets: $10
Shakespeare Theatre Company’s Artistic Director Michael Kahn invites theatre-lovers to the second event of a series of intimate conversations about his career in D.C. as he prepares to retire. Open, unrehearsed and off the record, invited speakers will swap anecdotes and share memories about Michael Kahn’s 33 years directing at the Shakespeare Theatre Company. The discussions focus on three distinct eras in STC’s history and chronicle D.C.’s changing theatre scene. This second Michael Kahn and Friends: Off the Record will focus primarily on the formation of the Shakespeare Theatre Company in its second location: the Lansburgh Theatre (1992-2006).
On May 15, audiences are invited to join Michael and STC Affiliated Artists Philip Goodwin and Floyd King, actor Wallace Acton and former Managing Director Jessica Andrews as they discuss their favorite performances onstage, backstage antics and offstage tales. After six years in residency in the Folger Library’s Elizabethan theatre, in March 1992, STC moved midseason to a new performance space: the 451-seat Lansburgh Theatre, which provided more flexibility and space for STC’s growing audience. At the time the Penn Quarter neighborhood was not considered desirable by many; since then, STC has helped drive its revitalization.
During the Lansburgh years, Michael Kahn continued his tradition of color conscious casting with the famous “photo negative” production of Othello featuring Sir Patrick Stewart in the titular role. He founded the Academy for Classical Acting at The George Washington University to prepare the next generation of classically trained actors in a one-year intensive MFA program. Michael Kahn’s electric and condensed version of Sophocles’ The Oedipus Plays earned international acclaim and was later remounted in Athens. During this juncture, STC’s reputation was growing so much that the Clintons attended Twelfth Night, becoming the first First Family to attend a regional theatre company production.
ABOUT THE INVITED SPEAKERS
WALLACE ACTON played the titles roles in STC productions of Richard III, Hamlet, Richard II, and Peer Gynt, garnering Helen Hayes Award nominations for the first two performances. Other notable STC performances include Ariel in The Tempest, Silvius in As You Like It, Octavius in Antony and Cleopatra, Porter/Doctor in Macbeth, Feste in Twelfth Night, Mosca in Volpone (Helen Hayes nomination), and a Helen Hayes winning performance as Richard/Peter in Henry VI.
JESSICA ANDREWS served as the Managing Director of Shakespeare Theatre Company from 1990-1994; her previous positions in Washington, D.C. included several years of experience working as director of the theatre program at the National Endowment for the Arts. After leaving Shakespeare Theatre Company, she joined the Arizona Theatre Company, and worked there for many years as a Managing Director, Executive Director, Director of Major Gifts, and returning twice as an Interim Executive Director. She retains the honorific Emerita Executive Director.
STC Affiliated Artist PHILIP GOODWIN is a star of stage and screen, in movies such as The Pink Panther, The Pink Panther 2 and Diary of a Country Priest. At STC, he turned in Helen Hayes award-winning performances as Brutus in Coriolanus, Questenberg/Gordon in Wallenstein, Malvolio in Twelfth Night, Mayor Stockmann in An Enemy of the People, and the lead role in Timon of Athens. He has appeared in Broadway productions of The Diary of Anne Frank, Tartuffe and The School for Scandal. Off-Broadway performances included the Fool to Kevin Kline’s King Lear in King Lear, and the Drama Desk-nominated Henry VI in Henry VI.
A longtime fixture on the Washington, D.C. theatre scene, STC Affiliated Artist FLOYD KING most recently appeared on the Sidney Harman Hall stage in the Helen Hayes-nominated Camelot as King Pellinore. Other notable STC roles include Postmaster in The Government Inspector, Verges in Much Ado About Nothing (mainstage and Free For All), Geronte in The Heir Apparent, Phipps in An Ideal Husband, Feste in Twelfth Night, Parolles in All’s Well That Ends Well, Pandarus in Troilus and Cressida, Malvolio in Twelfth Night, Ford in The Merry Wives of Windsor, Bottom in A Midsummer Night’s Dream, and Fool in King Lear. He has appeared on stages throughout Washington, D.C., and is currently an instructor at Academy for Classical Acting.
