#1 bestselling author Alyson Richman will be visiting Washington, D.C. to promote her new release, THE SECRET OF CLOUDS (Berkley Hardcover; February 19, 2019).
Alyson Richman is known for her sweeping, poignant works of historical fiction like The Lost Wife. Now, Richman pens a story of love and loss about a Ukrainian immigrant family living in New York following the 1986 disaster at the Chernobyl nuclear plant.
Saturday, March 9, 2019
In Conversation with Pam Jenoff
3:30 PM
Politics & Prose
5015 Connecticut Ave NW
Washington, D.C. 20008
Free and open to the public
In THE SECRET OF CLOUDS, Katya, a rising ballerina, and Sasha, a graduate student, are young and in love when an unexpected tragedy befalls their native Kiev, Ukraine. Years later, after the couple has safely immigrated to America, the consequences of this incident cause their son, Yuri, to be born with a rare health condition that isolates him from other children. Maggie, a passionate and dedicated teacher, agrees to tutor Yuri at his home, even though she is haunted by her own painful childhood memories. As the two forge a deep and soulful connection, Yuri’s boundless curiosity and unique wisdom inspire Maggie to make difficult changes in her own life. And she’ll never realize just how strong Yuri has made her—until she needs that strength the most.
Early Music Seminar: Tastes of the Mediterranean
Led by Robert Eisenstein, this lively seminar offers a sneak peek at the upcoming concert Tastes of the Mediterranean: Music of 16th-Century Spain and Italy. Wine reception included.
Location: Folger Haskell Center
Hours: 6pm
Tickets: $20
Info: www.folger.edu/events or (202) 544-7077
O.B. HARDISON POETRY
Vinegar and Char: Verse from the Southern Foodways Alliance
Three poets from this culinary anthology, Sandra Beasley, Sean Hill, and Atsuro Riley, read work that delves into the shaping influence of history, culture, and identity—and celebrates the glory of food itself. This evening is in conjunction with Before ‘Farm to Table’: Early Modern Foodways and Cultures, a Mellon initiative in collaborative research at the Folger. Reception and book-signing to follow the reading.
Hours: 7:30pm
Tickets: $15
Info: www.folger.edu/poetry or (202) 544-7077
Shakespeare Theatre Company’s Artistic Director Michael Kahn invites theatre-lovers to a series of intimate conversations about life in the D.C. theatre scene as he prepares to retire from the STC stage. Open, unrehearsed, and off the record, invited speakers will swap anecdotes and share memories about Michael Kahn’s 33-years at Shakespeare Theatre Company. Following his career trajectory, the discussions will focus on three distinct eras in STC’s history by mapping D.C.’s changing theatre scene. The first Michael Kahn and Friends: Off the Record will focus on the formation of The Shakespeare Theatre Company in its first location: Folger Theatre (1986-1992).
On March 11, audiences are invited to join Michael and STC Affiliated Artists Edward Gero, Stacy Keach, Derek Smith, and Franchelle Stewart Dorn as they discuss their favorite performances onstage, backstage antics, and offstage tales. In 1986, shortly after The Shakespeare Theatre at the Folger was formed as a newly incorporated, not-for-profit institution separate from the Folger Shakespeare Library, Kahn became Artistic Director and guided the theatre into national prominence. The first three seasons included several landmark productions and garnered many Helen Hayes nominations. STC changed the cultural landscape of the nation’s capital with its first Free For All in 1991. More than 2,500 theatregoers watched each performance of The Merry Wives of Windsor under the stars at Carter Barron Amphitheatre. This annual tradition of free Shakespeare continues to this day and over 630,000 people have attended a performance during Free For All.
Future Michael Kahn and Friends: Off the Record events will focus on the Lansburgh Years (May 15) and the Harman Years (June 5). More details will be released soon.
Former President of Planned Parenthood Federation of America and Planned Parenthood Action Fund, daughter of the late Governor Ann Richards, and a “heroine of the resistance” (Vogue), Cecile Richards has spent a lifetime fighting for social justice and women’s rights. After years of advocacy, resistance, and progressive leadership, she shares her story in her New York Times bestselling memoir, MAKE TROUBLE: Stand Up, Speak Out, and Find the Courage to Lead (Gallery; Trade Paperback; March 26, 2019; $16), featuring a *NEW AFTERWORD* in which Richards proposes a Women’s Declaration of Independence and calls for a new movement to transform our politics.
In MAKE TROUBLE, Richards presents a timely and important message: To make change, you have to make trouble. In her book, she illuminates the people and the lessons that have gotten her through good times and bad and the experiences that taught her how to stand up, speak out, and find the courage to lead. In the “powerful and infinitely readable” (Gloria Steinem) MAKE TROUBLE, Richards reflects on the people and lessons that have gotten her through good times and bad, and encourages the rest of us to take risks, make mistakes, and make trouble along the way.
Cecile Richards will be in conversation with Congresswoman Lauren Underwood, the youngest African American woman to serve in the U.S. House of Representatives, on:
Wednesday, March 27
7:00 PM
Sixth & I
600 I Street NW, Washington, DC 20001
For more information, please visit https://www.sixthandi.org/event/cecile-richards-2.
Washington Performing Arts hosts its 2019 annual Gala & Auction on March 30, 2019 at the National Building Museum (401 F St. NW). Tickets begin at $750; Young Sponsor tickets (for guests 40 and under) start at $200. Tables start at $15,000.
This year’s Gala, “Sizzle & Swing,” is a grand celebration of the art of jazz, from the classic big-band era to today’s up-to-the-minute expressions, fitting perfectly with Washington Performing Arts’ stellar spring lineup of jazz programming from Chucho Valdés and Cécile McLorin Salvant to an all-star tribute to Glenn Miller.
Gala performers include:
- Vocalists Veronica Swift (familiar to Washington Performing Arts audiences through her work with Chris Botti and Wynton Marsalis) and Stephen Scott Wormley (an alumnus of the Washington Performing Arts Children of the Gospel Choir, recently seen in the D.C. area as one of the stars of Signature Theatre’s The Scottsboro Boys);
- Mars Urban Arts Initiative Ensemble-in-Residence DuPont Brass;
- The Washington Performing Arts Children of the Gospel Choir under the direction of Michele Fowlin; and
- The Sizzle & Swing Band
Gala guests will also be treated to a special preview of a newly commissioned transcription of a big band chart by Hazel Scott, the luminary American pianist, cultural icon, and civil rights advocate. This premiere anticipates Washington Performing Arts’ commemoration of Scott’s 100th birthday in 2020.
The Gala kicks off at 6:30 pm with cocktails and the Silent Auction, sponsored by Urban Winery, with the dinner and performance program starting at 8:00 pm. Stage, television, and film actress Tamara Tunie serves as the Master of Ceremonies for the evening. The Afterparty Speakeasy with DJ Dimmy is co-sponsored by Daimler and the Washington Performing Arts Junior Board.
“Washington Performing Arts has a long legacy of presenting both emerging and leading jazz musicians and amplifying jazz as a vital American art form,” said Washington Performing Arts President and CEO Jenny Bilfield. “Whether it is through our Capital Jazz program in partnership with D.C. Public Schools, master classes with artists like Cécile McLorin Salvant, or commissions by Wynton Marsalis and now this new arrangement of a Hazel Scott chart, Washington Performing Arts remains committed to spotlighting this vibrant genre in every dimension of our programs, onstage and off.”
All proceeds raised at the Annual Gala and Auction will support Washington Performing Arts’ arts education initiatives. These include Capital Arts Partnerships and the Embassy Adoption Program (both in partnership with the DC Public Schools); In-School Artist Residencies; the Washington Performing Arts Men, Women, and Children of the Gospel Choirs; master classes and lectures; and stipends for professional development teachers and Washington Performing Arts teaching artists.
The 2019 Gala Co-Chairs are Lyn & Barry Chasen and Tom Gallagher & Barbara Myers. The Junior Board Gala Chairs are Rebecca Allen, Cassidy Grunninger, and Wesley Thomas. The Washington Performing Arts Women’s Committee Gala Chair is Denise Rollins, and the Women’s Committee Silent Auction Chair is Njambi. The Gala Committee comprises Paul Ashe, C. Wallace DeWitt, Adam Farra, Jay and Robin Hammer, Susan Hepner, Jordan Hepner and Nina Damato, Margaret Hurwitz, Angela C.Y. King, Grace Lin, Christina Co Mather and Gary Mather, Haley Morrison, Michelle Nelson, Ami Scott and Lucius Outlaw, Jan and Marike Paulsson, Kerrien Suarez, Ebony Thomas, Lindsey Woody, and The Washington Performing Arts Women’s Committee.
For more information about Washington Performing Arts and the Annual Gala and Auction, visit www.washingtonperformingarts.
Washington’s only playwrights’ collective devoted exclusively to developing and producing new plays—will host its annual fundraiser, The Joint–on Sunday, March 31, at Rhizome DC.
The Joint will take over the rooms of the Rhizome art space, familiar to some as the setting of the 2017 environmental hit Hello, My Name Is… by Deb Sivigny. Throughout the house, installations, intimate performances, and interactive projects will delight attendees as they rewind to remember the past and fast forward to the future.
There will be opportunities to celebrate the current generation of the Welders as they offer the in-process work by the last two playwrights in the second round of Welders leadership. At the end of 2019, the current roster of Producing Playwrights will be turning the company over to a new group of artists: The Welders 3.0.
The soon-to-be-announced third generation of The Welders will be in attendance at The Joint along with the past and present generations. The evening will be a fun opportunity for theater fans to engage with the generative artists taking the production of their work into their own hands.
Don’t miss this spectacular art-house-party filled with connection, sneak peeks, and a celebration of three generations “passing it on.” Plus, the event will feature a fire pit, silent auction, tasty food, and punch from Drink Company, home to the 2017 Spirited Award winning “Best American Cocktail Bar” Columbia Room.
Tickets are available at: https://thejoint2019.
“The Arts, Identity and Societal Inclusivity” Pop-up exhibit and conversations organized by the Arts for Global Development, Inc aims at facilitating an open, safe and creative environment to talk about identity, diversity as well as those issues that communities tackle on a day to-day basis especially in the context of voluntary and involuntary mobility of millions of people who are scattered across the globe.
The arts provoke thoughts and encourage people to embark upon issues that are sometimes hard to come to terms with. Contemporary artists often examine their identities by using themselves or aspects of themselves as a starting point to tell a story or address a larger issue like “acceptance or belonging”. During this event, one such contemporary designer and a multidisciplinary researcher Neba will showcase her fashion-art pieces that introduce unique and spiritual methods and folk pieces from her ancestry and upbringing.
Along with Neba’s one day/pop up exhibition called “Feast”, the Sandy Spring Museum Director, Allison Weiss and Cameron Okeke from Urban Institute will be sharing their experiences of how they’ve used the arts, from communicating the stories of displaced people to building creative and safe places in broken communities around the US.
“We certainly live in interesting times where social tension is rising in this ongoing “us and them” discourse. With this event we aim tobring our community together and use creativity as a means to broaden our perspectives. We do hope the works and discussions will inspire and encourage everyone in taking actions that support inclusion, ” said Nil Navaie, the founder and president of Arts for Global Development, Inc.
“The Arts, Identity and Societal Inclusivity” Pop-up exhibit and conversations event will be held at the Fridge Arts Gallery (516 8th Street SE, Washington DC) on April 4th from 5:30 – 8 pm.
The event is free, however RSVPs are recommended via http://www.art4development.net/.
On April 5, the award-winning Hay-Adams, located steps from the White House at 800 16th Street, NW, 20006, will host its next Author Series luncheon honoring David W. Blight to discuss his latest work, Frederick Douglass: Prophet of Freedom, which published October 16, 2018. The Hay-Adams’ Author Series, where literary crowds honor literary masters, is an on-going event, which hosts outstanding writers in a historic setting, directly overlooking the White House at the Top of The Hay. One will enjoy exceptional food, drink and lively conversation. Tickets are priced at $90 per person (all inclusive), which includes a three-course, prix fixe menu with wine pairings: https://www.hayadams.com/
Additionally, Kramerbooks (http://kramers.com) will be on hand so guests will have the opportunity to purchase a copy of Frederick Douglass: Prophet of Freedom, which Blight can sign and personalize after the luncheon. Tickets go on sale March 15 and will be available online at: http://www.hayadams.com/
WHO: David W. Blight is a teacher, scholar and public historian. He is Class of 1954 Professor of American History and Director of the Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition at Yale University. He is the author or editor of a dozen books, including
American Oracle: The Civil War in the Civil Rights Era; and Race and Reunion: The Civil War in American Memory; and annotated editions of Douglass’s first two autobiographies. He has worked on Douglass much of his professional life, and been awarded the Bancroft Prize, the Abraham Lincoln Prize, and the Frederick Douglass Prize, among others.
His newest book, Frederick Douglass: Prophet of Freedom, is the first major biography written in the last quarter century about the most important African American of the nineteenth century. An escaped slave,Douglass became the greatest orator of his day and one of the leading abolitionists and writers of the era. Blight brings new information about Douglass to light in the tome, particularly the last thirty years of his life, thanks to access he gained to a trove of papers and letters in a private collection that no other historian has used in any full-length biography of Douglass. It has been recognized as a New York Times, Wall Street Journal and TimeTop 10 Book of the Year.
David W. Blight was born in Flint, Michigan. After achieving his undergraduate degree, he taught in a public high school in his hometown for seven years. He received his Ph.D. from the University of Wisconsin–Madison in 1985 with a thesis titled “Keeping Faith in Jubilee: Frederick Douglass and the Meaning of the Civil War”. Blight has been a consultant to many documentary films, including, “Death and the Civil War,” (2012), the 1998 PBS series, “Africans in America,” and “The Reconstruction Era” (2004) among others. He is also a frequent book reviewer for the New York Times, Washington Post Book World, the Chicago Tribune, the Los Angeles Times, the San Francisco Chronicle, the Boston Globe, Slate.com and other newspapers, and has written many articles on abolitionism, American historical memory, and African American intellectual and cultural history.
WHEN: The luncheon will be held at the Top of The Hay on Friday, April 5, 2019, from 12 p.m. to 2 p.m. (doors open at 11:30 a.m.).
WHERE: The Hay-Adams is located at 800 16th Street NW, Washington DC, 20006, across Lafayette Square from the White House. The historic Hay-Adams offers guests Washington’s most prestigious address with views overlooking the White House, Lafayette Square and St. John’s Church, the “Church of the Presidents.” Consistently recognized as one of the world’s best hotels by Condé Nast Traveler, Travel + Leisure, Fodor’s Travel and U.S. News & World Report, the hotel is just minutes from the Smithsonian Museums, the Washington Monument, the Capitol Building, the Mall, as well as convenient to Metro stations and the convention center. For reservations or more information call (202) 638-6600 or visit their website at www.hayadams.com.
WHAT: The world premiere of the new series ‘Guess I’m a Ghost’ at DC Webfest as part of their American Web Series Watch Party block.
Guess I’m a Ghost is a comedy web series in eight episodes that explores coming to terms with your past mistakes, making amends, and how we both perform ourselves and find out about death through social media. Tonally, the series is a mix between High Maintenance and The Good Place. Using both naturalistic and absurd comedy, the show looks to see how we grieve over imperfect people we think we knew, but maybe didn’t at all. Diane…wasn’t the best friend. She liked to bend the truth and look out for number one. After embarrassing herself at a party, she’s killed in a ride-share accident when climbing into the front seat to charge her phone. Then, because of a mistake in the afterlife, she’s sent back to earth and forced to haunt those she could’ve treated a little better, and might owe her an apology themselves. The series features an original score by Leslie Hong of Haybaby, and will be released in full online on April 29th, following a screening in Los Angeles on April 27th.
WHEN: Saturday, April 13th at 6:00pm
WHERE: MakeOffices Glover Park – 2201 Wisconsin Ave. Suite #200 Washington DC 20007
HOW: Festival programming passes start at $45
