Honor Song for Returning Native American Women Warriors
Thursday, Nov. 8; 1:30 p.m.
National Museum of the American Indian, Potomac Atrium, Washington, D.C.
In advance of Veterans Day, composer, singer and drummer Ralph Zotigh (Kiowa) will sing an honor song he composed for Native American women veterans. He will be joined by his son, Dennis Zotigh (Kiowa/San Juan Pueblo/Santee Dakota Indian). This song was sung publicly for the first time in Tuba City, Arizona, at the second anniversary memorial for Army Spc. Lori Piestewa (Hopi), the first American servicewoman killed in the Iraq War, who is believed to be the first Native American woman to die in combat while serving in the U.S. military.
The National Symphony Orchestra (NSO), led by Principal Pops Conductor Steven Reineke, will give a free concert on Veterans Day—Monday, November 12—at 1 p.m. at the Smithsonian’s National Air and Space Museum’s Steven F. Udvar-Hazy Center in Chantilly, Virginia. The concert, part of the NSO’s ongoing Notes of Honor: NSO Salutes the Military initiative, will feature guest vocalist Nikki Renée Daniels and a program of music related to space, as well as American tunes and patriotic marches to honor veterans and all members of the U.S. Armed Forces past and present.
The NSO’s Notes of Honor initiative offers free programming for veterans, active duty, and retired service members and their families throughout the year at the Kennedy Center and at venues around Washington, D.C. The NSO also reaches audiences worldwide on major holidays through its Memorial Day and Independence Day concerts on the west lawn of the U.S. Capitol, which are nationally televised and broadcast on the Armed Forces Network.
PROGRAM DETAILS
Monday, November 12, 2018, at 1 p.m.
National Air and Space Museum’s Steven F. Udvar-Hazy Center
14390 Air and Space Parkway, Chantilly, VA 20151
National Symphony Orchestra
Steven Reineke, conductor
Nikki Renée Daniels, vocalist
Various/
arr. Jim Stephensen World War I Medley
Kenneth Alford Colonel Bogey March
Bart Howard/
arr. John Bachalis “Fly Me to the Moon”
James Horner/
arr. John Moss Music from Apollo 13
Stephen Flaherty/Lynn Aherns
arr. William David Brohn “Back to Before” from Ragtime
John Williams Liberty Fanfare
Sammy Fain and Irving Kahal/
arr. S. Reineke “I’ll Be Seeing You”
John Williams “Hymn to the Fallen” from Saving Private Ryan
Richard Hayman/
arr. Jim Kessler Salute to the Armed Forces
Samuel Augustus Ward
arr. Carmen Dragon “America the Beautiful”
Concert and Museum entry are free. $15 parking fee applies.
Thursday, Nov. 15; 6 p.m.
National Museum of the American Indian, Rasmuson Theater, Washington, D.C.
Steve Inskeep, host of NPR’s Morning Edition, is also the author of “Jacksonland,” a history of President Andrew Jackson’s long-running conflict with John Ross, a Cherokee chief who resisted the removal of Indians from the eastern United States in the 1830s. Inskeep will join Kevin Gover (Pawnee), director of the National Museum of the American Indian, for a conversation about the museum’s newest exhibition, “Americans,” and the history of Indian Removal.
Hopi Tribal Festival
Saturday, Nov. 17, and Sunday, Nov. 18; 10 a.m.–5 p.m.
National Museum of the American Indian, Potomac Atrium, Washington, D.C.
The Hopi Tribe is a sovereign nation located in northeastern Arizona. Their nation encompasses more than 1.5-million acres, and is made up of 12 villages on three mesas. Over the centuries, Hopi endures as a nation, retaining its culture, language and religion despite influences from the outside world.
During this all-day, two-day festival, the Hopi people share artist demonstrations, performances of music and dance, and a presentation of the history of the Hopi Code Talkers. The Hopi Youth Color Guard will present and retire the colors at the beginning and end of each day.
Hopi Tribal Festival
Saturday, Nov. 17, and Sunday, Nov. 18; 10 a.m.–5 p.m.
National Museum of the American Indian, Potomac Atrium, Washington, D.C.
The Hopi Tribe is a sovereign nation located in northeastern Arizona. Their nation encompasses more than 1.5-million acres, and is made up of 12 villages on three mesas. Over the centuries, Hopi endures as a nation, retaining its culture, language and religion despite influences from the outside world.
During this all-day, two-day festival, the Hopi people share artist demonstrations, performances of music and dance, and a presentation of the history of the Hopi Code Talkers. The Hopi Youth Color Guard will present and retire the colors at the beginning and end of each day.
Native American Heritage Day: Family Fun Friday
Friday, Nov. 23; 10 a.m.–4 p.m.
National Museum of the American Indian, Washington, D.C.
This celebration of Native American Heritage Day features hands-on activities, “make-and-takes,” and music and interactive dance presentations.
On Thursday, November 29, 2018 in the Main Hall of Union Station, a consortium of partners including Washington Performing Arts, the Royal Norwegian Embassy, the Norwegian-American Chamber of Commerce—Mid-Atlantic Chapter, the Bach Project, and Union Station present a holiday celebration event, with performances by local artists, the annual Norwegian Christmas tree lighting, an appearance by Santa Claus, and culminating in a simulcast of Yo-Yo Ma’s performance of J.S. Bach’s complete cello suites live from the National Cathedral, presented by Washington Performing Arts in memory of Isaac Stern.
For more than 20 years, Norway has presented a Christmas tree to the people of Washington, in recognition of its strong friendship with the United States and in gratitude for America’s assistance during and after World War II. This year’s Christmas tree is made possible by Equinor, Kongsberg Gruppen, Nammo Inc., Innovation Norway, and Insitu Inc.
Complete Schedule of Events
Norwegian Christmas Tree Lighting (6pm)
Featuring the Washington Performing Arts Children of the Gospel Choir and a visit from Santa and Mrs. Claus
Mars Urban Arts Initiative Holiday Pop-Up Concert (7pm)
Featuring the Howard University Gospel Choir & more
Washington Performing Arts’ Mars Urban Arts Initiative and Brightest Young Things present a holiday pop-up concert that showcases some of D.C.’s beloved hometown musical acts, including the Howard University Gospel Choir. Throughout the evening, guests will also have a chance to learn about global holiday traditions and J.S. Bach’s music from organizations like the Royal Norwegian Embassy, the Norwegian-American Chamber of Commerce – Mid-Atlantic Chapter, the Library of Congress, and D.C. Public Library.
Simulcast: The Bach Project at Washington National Cathedral
Yo-Yo Ma Performs Bach Cello Suites (8pm)
Live audio/video feed from Washington National Cathedral
In Memory of Isaac Stern
Yo-Yo Ma’s sold-out performance of Bach’s cello suites at Washington National Cathedral, presented by Washington Performing Arts, will be simulcast at Union Station in conjunction with the annual Norwegian Christmas Tree Lighting, a beloved Washington, D.C. holiday tradition. This concert simulcast is part of Yo-Yo Ma’s Bach Project, a two-year journey to perform Johann Sebastian Bach’s six suites for solo cello in 36 locations around the world. It is an undertaking motivated not only by Yo-Yo’s six-decade relationship with the music, but also by Bach’s ability to speak to our shared humanity at a time when our civic conversation is so often focused on division.
The Library of Congress will present a display of treasures and manuscripts relating to J.S. Bach and Yo-Yo Ma’s career at Washington National Cathedral, in conjunction with Yo-Yo Ma’s performance.
Free, registration encouraged | Family-friendly
http://tinyurl.com/
Yo-Yo Ma’s performance at Washington National Cathedral is made possible in part by the generous support of
Dr. Gary Mather and Ms. Christina Co Mather, the Linda and Isaac Stern Charitable Foundation, and Daniel Heider.
The simulcast is made possible by Yo-Yo Ma’s Bach Project and the Mars Urban Arts Initiative, which is generously supported by Jacqueline Badger Mars and Mars, Incorporated.
These events are part of Washington Performing Arts’ global programming initiative, The World in Our City, which provides perspective on what it means to be a citizen of the world through a unique arts-based lens. Special thanks to Her Excellency Shaikha Aisha AlKhalifa, Spouse of the Ambassador, Embassy of the Kingdom of Bahrain; Jennifer and Brian Coulter; Dr. Gary Mather and Ms. Christina Co Mather; Jan and Marike Paulsson; Mary Jo Veverka; Michael Frankhuizen; Karin’s Florist.
Mars Urban Arts Initiative and Washington Performing Arts Gospel Choirs
VeVe & tha Rebels
Saturday, December 1, 5 p.m.
The LINE Hotel
2018/19 Mars Urban Arts Initiative ensemble-in-residence VeVe & tha Rebels performs original Afro-folk at The LINE DC, Washingtonian Magazine’s “favorite hotel at which to hang out.” This concert will be broadcast live via The Line DC’s Full Service Radio online stream.
Free and open to the public.
Co-presented with The LINE DC.
Washington Performing Arts’ Mars Urban Arts Initiative is generously supported by Jacqueline Badger Mars and Mars, Incorporated.
On Sunday, December 2, 2018 at 3:30pm, German-born composer, vocalist, and internationally renowned theremin virtuoso Carolina Eyck and the American Contemporary Music Ensemble (ACME) will perform presented by the National Gallery of Art in the West Building, West Garden Court (entrance at Sixth Street and Constitution Avenue). Doors open to the public at 3pm, and admission is free.
Eyck and ACME will give the Washington, DC premiere of Eyck’s Fantasias for theremin and string quartet, and Eyck will perform her solo songs Music on a Painting and Delphic. The program includes composer and The National guitarist Bryce Dessner’s Little Blue Something for string quartet, performed by ACME, and will feature improvised selections by Eyck and ACME cellist and artistic director Clarice Jensen. In addition to Jensen, the ACME players for this concert are Ben Russell, violin; Keats Dieffenbach, violin; and Isabel Hagen, viola.
Fantasias was released to critical acclaim on Butterscotch Records in 2016. For the project, Eyck composed six minimalist-inspired string quartet pieces, over which she improvises a solo theremin part. With these pieces, Eyck strives to “sonically investigate the interplay between nature and human imagination.” Eyck’s musically daring and physically challenging compositions defy easy classification, while her uncanny mastery of the theremin and use of electronic effects bring an authentically fresh sonic pallet to the forefront. Her Fantasias range from slow-evolving arpeggiations reminiscent of Reich and Glass, to alternative bowing and fingering techniques that achieve an ethereal ambience, to athletic explorations reminiscent of Bartók’s String Quartets.
Eyck’s striking theremin performances showcase her dead-aim intonation, her command of microtonality, her fluid melodicism, and her lack of self-consciousness as an improvisor. This latter quality is no accident, as Eyck has practiced improvisation for years, and has even studied techniques typically aimed at athletes for entering flow-states and shutting down critical inner dialogue.
Since making her debut in the Berlin Philharmonie, Carolina Eyck has been invited to perform all over the world. The BBC World Service proclaims, “Carolina Eyck is one of the world’s leading theremin players … and is a pioneer of this relatively new instrument,” and Cicero calls her the “queen of the theremin.” She was a winner of the 2015 ECHO-Classic prize in Germany for Concert Recording of the Year (Music 20./21.Century), and her book The Art of Playing the Theremin (written when she was 17) teaches the theremin technique she developed at age 14.
