Next season at Arena Stage, more than half of the playwrights and directors will be represented by women and people of color; two exciting collaborations will take place with Denver Center Theatre Company and Hartford Stage; and there will be stories of politics and power celebrated in four world-premiere Power Plays.
“This is one of our most ambitious seasons yet with five world premieres, four Power Plays, and three musicals,” said Artistic Director Molly Smith. “This season is full of con men and saints, strong comedies and terrific dramas and so much music!”
And the season is:
American Prophet: Frederick Douglass In His Own Words
Music, Lyrics and Book by Marcus Hummon
Written and Directed by Charles Randolph-Wright
In the Kreeger Theater | July 10 – August 16, 2020
Charles Randolph-Wright (Arena’s Born for This: The BeBe Winans Story, Broadway’s Motown the Musical) returns to Arena Stage with a ground-breaking musical about Frederick Douglass, portrayed by Cornelius Smith Jr. (ABC’s Scandal, All My Children). Douglass’ own words power the soaring new melodies and original script from Grammy Award-winning songwriter Marcus Hummon and Randolph-Wright. This daring and heart-stirring new work presents Douglass as a fierce abolitionist and distinguished orator featuring interactions with key figures including, President Abraham Lincoln and Douglass’ own wife, Anna Murray-Douglass, without whom his defiant escape from slavery would not have been possible. Filled with electrifying new songs including, “What Does Freedom Look Like,” “We Need a Fire” and “A More Perfect Union,” this world premiere celebrates the enduring legacy of one of history’s first freedom fighters.
Written and Directed by Theresa Rebeck
In the Kreeger Theater | September 11 – October 18, 2020
It’s 1776. Witchcraft meets American Enlightenment aspirations when news of the Declaration of Independence drifts into the Pennsylvania woods. Mr. Ames is inspired by the founder’s notions of equality, but his high ideals may not extend to his entire household. His wife and slaves ask, “When it says all men are created equal, does that mean me?” Named “one of her generation’s major talents” (New York Times), Pulitzer Prize-finalist Theresa Rebeck dares to explore the state of equality and women’s rights during the War of Independence.
Conceived and Directed by Mike Daisey
In the Arlene and Robert Kogod Cradle | October 9 – November 1, 2020
Preeminent monologist Mike Daisey (A People’s History, The Trump Card) takes on the end of this world in the premiere of The Change. In an epic story that plays out in three distinct parts — Yesterday, Today, and Tomorrow — Daisey interrogates our skill at hiding from the truth by confronting the climate crisis that both terrifies and paralyzes us. From “the master storyteller” (New York Times), The Change is an intimate, intensely personal call to face this existential threat with humor and heart.
Catch Me If You Can
Book by Terrence McNally
Music by Marc Shaiman
Lyrics by Scott Wittman and Marc Shaiman
Based on the Dreamworks Motion Picture
Directed by Molly Smith
Choreographed by Parker Esse
In the Fichandler Stage | October 23 – December 13, 2020
Based on true events and the hit film, see how a charming, young con man posed as an airline pilot, doctor, lawyer and then escaped police custody all before he turned 22. Helen Hayes award-winning actor Corbin Bleu returns to Arena Stage (Arena’s Anything Goes, Broadway’s In the Heights, Broadway’s Kiss Me, Kate) to take on the title role of confidence man Frank Abagnale Jr. The Tony-nominated musical comedy is jammed packed with dynamic numbers such as “Don’t Break the Rules,” “Live in Living Color” and “Doctor’s Orders.” Catch Me if You Can is “is a high-flying musical comedy” (Hollywood Reporter) packed with cool jazz for the entire family.
Angry, Raucous and Shamelessly Gorgeous
In Association with Denver Center Theatre Company and Hartford Stage
By Pearl Cleage
Directed by Susan V. Booth
In the Kreeger Theater | November 12 – December 20, 2020
Decades ago, Anna Campbell shocked the theater world with her sensational and controversial work, Naked Wilson. Challenging the lack of female voices in August Wilson’s 10-play Century Cycle, her interpretation proved to be revolutionary and dangerous. Returning to the United States after a self-imposed exile, Anna is to be honored with a performance of her seminal work at the National Black Theatre Festival. The trouble is, the producers have cast a younger and less-experienced actress in Anna’s original role and now the two must find common ground in order to move forward with the show and with their own lives. Novelist and playwright Pearl Cleage’s “crowd-pleasing” (Atlanta Journal Constitution) comedy is the ultimate showdown. Will Anna reclaim her fame or bow out gracefully for the next generation?
Book, Music and Lyrics by Britta Johnson
Directed by Annie Tippe
Choreographed by Ann Yee
In the Kreeger Theater | January 15 – February 21, 2021
Grieving the recent loss of her famous father, 16-year-old Alice begins to question the events surrounding his death and sets out to uncover what really happened on the night that changed her family forever. With a soaring and gorgeous score, Britta Johnson’s Life After is a bittersweet and witty new musical that explores the mess and beauty of loss and love. Through the vivid imagination of a young woman looking for the facts, we find a more complicated truth instead. The “startlingly talented” (The Toronto Star) playwright and composer Johnson delivers “musical theater perfection” (Broadway World) in this compelling and “life-affirming” (Talkin’ Broadway) journey.
By Fay Kanin and Michael Kanin
Based on stories by Ryunosuke Akutagawa
Directed by Seema Sueko
In the Fichandler Stage | February 5 – March 7, 2021
A samurai is found dead in the forest. His wife, a bandit and a medium confound the court with their conflicting accounts of what transpired. Based on the dynamic stories by Ryunosuke Akutagawa, Fay and Michael Kanin’s Tony Award-winning Rashomon reveals the elusiveness of truth in this passionate, tragic and ultimately comic exploration of humanity in a way that is “striking for its simplicity” (New York Times).
The High Ground
By Nathan Alan Davis
Directed by Megan Sandberg-Zakian
In the Arlene and Robert Kogod Cradle | February 26 – April 11, 2021
The legacy of Black Wall Street, a once thriving community destroyed in the 1921 Tulsa race riots, lingers in the mind of an African American soldier. It is no coincidence that Standpipe Hill, known for its fateful role in the riots is where he wages a daily protest. Frustrated by the racial injustices then and now, he stages a one-man crusade to restore his town to its former glory, putting him at odds with local authorities. Will he accomplish his mission, or will we bear witness to history repeating itself again? Arena’s third Power Play from 2018 Whiting Award-winner Nathan Alan Davis is a dynamic and compelling story on how the actions of the past still impact us today.
Crumbs From the Table of Joy
By Lynn Nottage
Directed by Hana S. Sharif
In the Fichandler Stage | April 2 – May 2, 2021
Teenage sisters Ernestine and Ermina are adjusting to their new life in 1950s Brooklyn which is humming with the energy of the Civil Rights Movement. Their opinionated aunt’s talk of revolutions leads their neighbors to believe they are communists. However, nothing compares to their biggest adjustment — their father’s surprise marriage to a German woman just days after meeting her on the New York subway. Told through the eyes of 17-year-old Ernestine, Pulitzer Prize-winner Lynn Nottage’s “entertaining production” (Chicago Theatre Review) is a tender, funny and ultimately empowering coming-of-age story.
By Craig Lucas
Directed by Molly Smith
In the Kreeger Theater | April 23 – May 30, 2021
The Cuban missile crisis, the Civil Rights Movement and the Cold War were just some of the most influential periods in U.S. history. What if you could relive those moments through the people and leaders who experienced them directly? Tony Award-nominated (Broadway’s An American in Paris, Light in the Piazza) playwright Craig Lucas’ provocative Power Play imagines conversations between figures from history, who were celebrated, controversial and unsung. These insider voices were responsible for influencing major decisions that are still shaping our country today.